Claude Cahun (Lucy Schwob), Marcel Moore (Suzanne Malherbe)
1922. Gelatin silver print, 9 5/16 × 5 7/8" (23.7 × 15 cm)
Born Lucy Schwob, the French photographer, sculptor, and writer adopted the gender-ambiguous name Claude Cahun in 1917. She is best known for her self-portraits in which she assumes a variety of personas, including dandy, weight lifter, aviator, and doll. In this image, Cahun has shaved her head and is dressed in men’s clothing. She once explained: “Under this mask, another mask; I will never finish removing all these faces.”1
Cahun was friends with many Surrealist artists and writers; André Breton once called her “one of the most curious spirits of our time.”2 While many male Surrealists depicted women as objects of male desire, Cahun staged images of herself that challenge the idea of static gender.
One who uses a camera or other means to produce photographs.
One who produces a three-dimensional work of art using any of a variety of means, including carving wood, chiseling stone, casting or welding metal, molding clay or wax, or assembling materials.
A literary, intellectual, and artistic movement that began in Paris in 1924 and was active through World War II. Influenced by Sigmund Freud’s writings on psychology, Surrealists, led by André Breton, were interested in how the irrational, unconscious mind could move beyond the constraints of the rational world. Surrealism grew out of dissatisfaction with traditional social values and artistic practices after World War I.
A representation of oneself made by oneself.
Politics and Protest
Cahun was active in the resistance against the German occupation during World War II. In 1944, she and her partner Marcel Moore (née Suzanne Malherbe) were arrested by the Gestapo and sentenced to death, a fate they escaped when the war ended the following year.