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MoMA

MoMA COURSES ONLINE

Explore the exciting world of modern art, anytime and anywhere.

  • Learn about modern art in a contemporary way: online
  • Study with world-class faculty
  • Enjoy exclusive videos shot in MoMA’s galleries, and other resources
  • Designed for newcomers and experts alike

Registration for Winter/Spring 2012 MoMA Courses Online is now open. REGISTER NOW

Register now for MoMA Courses Online (Self-Guided).

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Browse Courses

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Courses Online

Corey-s

Materials and Techniques of Postwar Abstract Painting (instructor-led)

Opens February 27
Instructor: Corey D'Augustine

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Note: Instructor-led courses offer many opportunities for interaction with the teacher and fellow students; self-guided courses have no opportunities for interaction. Instructor-led courses have specific start and end dates; self-guided courses have rolling admission (within 24–48 hours after registering, you will receive an e-mail from MoMA Courses, with a link to your course).

To learn more about how online courses work, see About/FAQ.

Experience postwar abstract painting from an artist’s point of view. This course leads students in a hands-on examination of the materials and techniques that created some of the 20th century’s greatest masterpieces. Two introductory classes cover the basics of preparing a canvas and mixing and applying paint, and each subsequent class focuses on a major artist in MoMA’s collection, using slide lectures, videos shot on location in MoMA’s galleries, and studio demonstrations to enrich understanding. Every week, students will paint a canvas based on the work of an iconic artist from the period—from Jackson Pollock and Willem de Kooning to Mark Rothko and Barnett Newman—with the aid of an online discussion forum and digital images shared among students and the instructor. Combining studio techniques, visual analysis, and art historical insight, the class offers students a unique appreciation of how the materiality of paint and the activity of painting affected the development of abstract art. Students will have assigned readings, and will be given access to a wide range of multimedia educational resources.

A digital camera is required in order to photograph and post work for weekly discussions. Students will need to purchase materials and supplies for this course (costs range from $20 to $200, depending on your paint preferences). View the supply list.

Week 1: Introduction to the New York School
Week 2: Introduction to Painting Materials and Color Theory
Week 3: Barnett Newman
Week 4: Robert Ryman
Week 5: Willem de Kooning
Week 6: Jackson Pollock
Week 7: Mark Rothko
Week 8: Philip Guston
Week 9: Ad Reinhardt
Week 10: Frank Stella

Corey D'Augustine is a painting conservator who worked for many years at MoMA. He is also an artist who has exhibited in New York and abroad.

Schedule
Class runs for 10 weeks
Non Member

$350

Member, corporate member employees, students, educators (K–12, college, and university), and staff at other museums

$300

Hand-s

Materials and Techniques of Postwar Abstract Painting (self-guided)

Now Available

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Note: Instructor-led courses offer many opportunities for interaction with the teacher and fellow students; self-guided courses have no opportunities for interaction. Instructor-led courses have specific start and end dates; self-guided courses have rolling admission (within 24–48 hours after registering, you will receive an e-mail from MoMA Courses, with a link to your course).

To learn more about how online courses work, see About/FAQ.

Experience postwar abstract painting from an artist’s point of view. This course leads students in a hands-on examination of the materials and techniques that created some of the 20th century’s greatest masterpieces. Two introductory classes cover the basics of preparing a canvas and mixing and applying paint, and each subsequent class focuses on a major artist in MoMA’s collection, using slide lectures, videos shot on location in MoMA’s galleries, and studio demonstrations to enrich understanding. Every week, students will paint a canvas based on the work of an iconic artist from the period—from Jackson Pollock and Willem de Kooning to Mark Rothko and Barnett Newman. Combining studio techniques, visual analysis, and art historical insight, the class offers students a unique appreciation of how the materiality of paint and the activity of painting affected the development of abstract art. Students will have assigned readings, and will be given access to a wide range of multimedia educational resources.

Students will need to purchase materials and supplies for this course (costs range from $20 to $200, depending on your paint preferences). View the supply list.

Module 1: Introduction to the New York School
Module 2: Introduction to Painting Materials and Color Theory
Module 3: Barnett Newman
Module 4: Robert Ryman
Module 5: Willem de Kooning
Module 6: Jackson Pollock
Module 7: Mark Rothko
Module 8: Philip Guston
Module 9: Ad Reinhardt
Module 10: Frank Stella

Schedule
Course access lasts 10 weeks
Non Member

$200

(Non-refundable)
Member, corporate member employees, students, educators (K–12, college, and university), and staff at other museums

$175

(Non-refundable)
Tilelarissa-s

Modern Art, 1880–1945 (instructor-led)

Opens February 27
Instructors: Deborah A. Goldberg and Larissa Bailiff

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Note: Instructor-led courses offer many opportunities for interaction with the teacher and fellow students; self-guided courses have no opportunities for interaction. Instructor-led courses have specific start and end dates; self-guided courses have rolling admission (within 24–48 hours after registering, you will receive an e-mail from MoMA Courses, with a link to your course).

To learn more about how online courses work, see About/FAQ.

In this class, you will discover the fascinating stories, key works, and iconic figures of modern art, from its origins in Post-Impressionism to the beginnings of the New York School. Moving chronologically through the Museum's collection, you will explore an array of renowned and provocative objects—from paintings that challenged the official Academy and revolutionized the conventions of representation to works that are completely abstract—by such artists as Paul Cézanne, Vincent van Gogh, Constantin Brancusi, Marcel Duchamp, Henri Matisse, and Pablo Picasso, among others.

Classes combine brief art history lectures, readings, and video shot on location in MoMA’s galleries.

Week 1: Van Gogh and Post-Impressionism
Week 2: Klimt and Symbolism
Week 3: Matisse and Fauvism
Week 4: Kandinsky and Expressionism
Week 5: Picasso and Cubism/Boccioni and Futurism
Week 6: Modigliani and the School of Paris
Week 7: Malevich, Mondrian, and Utopian Visions
Week 8: Moholy-Nagy and the Bauhaus
Week 9: Dada and Duchamp
Week 10: Dalí and Surrealism

Deborah A. Goldberg (PhD, Institute of Fine Arts, New York University) is on the faculty of the School of Visual Arts and lectures regularly for The Metropolitan Museum of Art and MoMA. She coedited and contributed to the book Alexander Archipenko Revisited: An International Perspective (2008).

Larissa Bailiff (PhD, ABD, Institute of Fine Arts, New York University) is a specialist in 19th-century French art and social history. Formerly an associate educator at MoMA, she has taught graduate and undergraduate courses at both the Fashion Institute of Technology and the Pratt Institute.

Schedule
Class runs for 10 weeks
Non Member

$350

Member, corporate member employees, students, educators (K–12, college, and university), and staff at other museums

$300

Red-studio-s

Modern Art, 1880–1945 (self-guided)

Now Available

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Note: Instructor-led courses offer many opportunities for interaction with the teacher and fellow students; self-guided courses have no opportunities for interaction. Instructor-led courses have specific start and end dates; self-guided courses have rolling admission (within 24–48 hours after registering, you will receive an e-mail from MoMA Courses, with a link to your course).

To learn more about how online courses work, see About/FAQ.

In this class, you will discover the fascinating stories, key works, and iconic figures of modern art, from its origins in Post-Impressionism to the beginnings of the New York School. Moving chronologically through the Museum's collection, you will explore an array of renowned and provocative objects—from paintings that challenged the official Academy and revolutionized the conventions of representation to works that are completely abstract—by such artists as Paul Cézanne, Vincent van Gogh, Constantin Brancusi, Marcel Duchamp, Henri Matisse, and Pablo Picasso, among others.

Classes combine brief art history lectures, readings, and video shot on location in MoMA’s galleries.

Module 1: Van Gogh and Post-Impressionism
Module 2: Klimt and Symbolism
Module 3: Matisse and Fauvism
Module 4: Kandinsky and Expressionism
Module 5: Picasso and Cubism/Boccioni and Futurism
Module 6: Modigliani and the School of Paris
Module 7: Malevich, Mondrian, and Utopian Visions
Module 8: Moholy-Nagy and the Bauhaus
Module 9: Dada and Duchamp
Module 10: Dalí and Surrealism

Schedule
Course access lasts 10 weeks
Non Member

$200

(Non-refundable)
Member, corporate member employees, students, educators (K–12, college, and university), and staff at other museums

$175

(Non-refundable)
Lanfranco-s

Experimenting with Collage (instructor-led)

SOLD OUT

Opens February 27
Instructor: Katerina LanFranco

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Lanfranco

Note: For Winter/Spring 2012, Experimenting with Collage will only be offered as an instructor-led course. To learn more about how online courses work, see About/FAQ.

Collage grabs your attention quickly, but it takes time to really see it. It is the original "recycling" approach to materials in art making—it takes the old and makes it new. Through fragmenting, combining, and recontextualizing, objects and images are transformed. This eight-week course combines studio demonstrations of collage techniques with close study of significant works in MoMA's collection. Detailed demonstrations will show you how to make your own collages, inspired by the ways in which these masters pushed the boundaries of representation and materials. Watch exclusive videos—shot in MoMA's galleries—about works by some of the masters of collage, including Pablo Picasso, Joseph Cornell, Hannah Höch, Robert Rauschenberg, Mark Bradford, and others. These videos, together with readings, slideshows, and discussions, make for a dynamic and challenging studio course for newcomers and experts alike.

A digital camera is required in order to photograph and post work for weekly discussions. Students will need to purchase materials and supplies for this course (costs range from $20 to $200, depending on your preferences).

Katerina Lanfranco (BA, University of California at Santa Cruz; MFA, Hunter College, City University of New York) is a New York City–based artist and arts educator specializing in painting, drawing, sculpture, printmaking, and mixed media work. She teaches visual arts courses at Fordham University and LIM College, and has also taught at Hunter College and Rutgers University.

Schedule
Class runs for 8 weeks
Non Member

$350

Member, corporate member employees, students, educators (K–12, college, and university), and staff at other museums

$300

Jennifer-s

Modern and Contemporary Art: 1945–1989 (instructor-led)

SOLD OUT

Opens February 27
Instructors: Paula Burleigh and Jennifer Katanic

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Jennifer

Note: For Winter/Spring 2012, Modern and Contemporary Art: 1945–1989 will only be offered as an instructor-led course. To learn more about how online courses work, see About/FAQ.

This course is intended as a guided social experience examining major artists, artworks, and movements after World War II. With experienced MoMA instructors, students explore the emergence of the New York School and its links to a new global economy centered in New York, Dada's revival, Pop art's flowering in mass consumer society, and Minimalism's formal refinement and emphasis on spatial context. The course will then consider Conceptual art's fundamental questioning of art, the development of multimedia artistic practices and performance art, and the influence of identity politics on art.

Each week of the course includes exclusive videos—shot in MoMA's galleries—of works by Jackson Pollock, Andy Warhol, Donald Judd, Eva Hesse, George Maciunas, Louise Lawler, Nan Goldin, and many more. Lectures, slideshows, and written and multimedia content enrich and contextualize videos from the galleries, and weekly class discussions with your classmates and instructor give you a chance to share your thoughts and questions.

Week 1: Pollock and the New York School
Week 2: Alberto Giacometti and Postwar Europe
Week 3: Andy Warhol and Neo-Dada and Pop
Week 4: Eva Hesse and Minimalism and Post-Minimalism
Week 5: Sol LeWitt and Conceptual Art
Week 6: George Maciunas and Performance Art
Week 7: Louise Lawler and Feminism
Week 8: Bruce Nauman and Identity Politics
Week 9: Georg Baselitz and Neo-expressionism
Week 10: Nan Goldin and Photography

Paula Burleigh (PhD candidate, the Graduate Center, City University of New York) is a specialist in post-WWII European and American art. She teaches undergraduate courses in art history at Baruch College, and she lectures at the Whitney Museum of American Art.

Jennifer Katanic (PhD Candidate, the Graduate Center, City University of New York) is a specialist in modern and contemporary art, with an emphasis on Slavic studies. She is currently writing her dissertation, Revolutionary Artist, Comrade, Hero: The Not So Eventful Life of Jaroslav Čermák (1830–1878). She is a lecturer in the Department of Education at The Museum of Modern Art and works with International Art Guides as a contemporary art educator at Art Basel Miami Beach. She has taught art history at Rutgers University and City College, New York.

Schedule
Class runs for 10 weeks
Non Member

$350

Member, corporate member employees, students, educators (K–12, college, and university), and staff at other museums

$300

Fees


Who Instructor-Led Self-Guided
General public $350 $200
Members and Corporate
Member employees
$300 $175
Students, K–12 teachers, and
staff of other museums w/ ID
$300 $175

Payment

We accept credit cards. You may pay with a credit card online through our online registration form.

Your registration is not complete until we have received payment, which will secure your place in the class.

Discounts

A copy of student or staff identification must be e-mailed, faxed, or mailed to MoMA at least seven days before the first day your class opens to receive the discounted price.

MoMA Courses
Department of Education, MoMA
11 West 53 Street
New York, NY, 10019
fax (212) 333-1118

A scanned copy of your ID may be sent by e-mail to courses@moma.org.

Refunds

Instructor-led MoMA Courses Online are refundable. Self-Guided courses are non-refundable.

In order to receive a full refund for an instructor-led course online, notice of cancellation must be sent in writing via e-mail, letter, or fax at least one week before the first scheduled day of class. Payment will not be refunded after this time.

Refund processing may take up to four weeks.

About/Frequently Asked Questions


How does online learning work?
All you need is an Internet connection! You will access your MoMA course through an online course management system, Haiku, which integrates discussion forums, videos, text, an inbox for direct communication with your instructor, and more. We offer two types of courses, instructor-led and self-guided. See below for details that will help you decide which one is right for you.

Is there a set time when I need to sign in?
No, you never need to be online at a particular time for either the self-guided course, or the instructor-led course, since there are no "live" lectures or sessions. These courses contain hours of video shot in MoMA’s galleries, as well as other learning resources that you can access at times that are convenient for you.

What is the difference between an instructor-led and self-guided course?
Instructor-led courses offer many opportunities for interaction with the teacher and fellow students; self-guided courses have no opportunities for interaction. Instructor-led courses have specific start and end dates. Self-guided courses have rolling admission; within 24–48 hours after registering, you will receive an e-mail from MoMA Courses, with a link to your course

How do I access my instructor-led course?
When you register you will get a confirmation e-mail that includes a link to video tutorials on navigating your online course. Then, the day the course is scheduled to start, you will receive another e-mail with a link to the course site and an invitation code to set up your account. MoMA Courses Online are powered by Haiku Learning Management System to give you quality, secure access. Once you’ve registered and set up a username and password, you can access the course at any time by going to education.moma.org.

How do I access my self-guided course?
Within 24–48 hours after registering, you will receive a second e-mail from MoMA Courses, with a link to your course and an invitation code. Follow the link to create your MoMA Courses Online account. Once you have created your account, you can access your course by going to education.moma.org and logging in. You’ll have access to the materials any time, any day for ten weeks. The ten week period begins when you receive the second email.

If you do not receive an email from “MoMA” within 48 hours, check your spam folder first and then e-mail us at courses@moma.org to let us know if you did not receive this e-mail or if you have any questions.

How do I interact with the instructor and fellow students?
The instructor-led courses contain discussion forums (some open, some with specific art- and art history–related questions), where you can post messages, comments, and questions for the the teacher and your classmates. Everyone answers at times convenient for him or her, since everything can be accessed 24/7. Nothing in the course is “live,” because our students come from across the globe!

Are the courses for credit? Are there any requirements?
There are no grades and no requirements: participate as much or as little as you like.

Can you tell me more about what I can expect to find when I log in?
Over the course of 10 weeks, you will have the opportunity to watch videos, view slide shows, and read course materials. If you’re taking an instructor-led course, you’ll also be able to participate in discussions regarding each week’s material and ask questions of your MoMA instructor.

What if I need technical help?
The Digital Learning team at MoMA is happy to help. E-mail courses@moma.org, and we’ll get back to you ASAP.

Will you be offering more courses in the future?
Our first two courses were so well received that we are developing two additional courses, which will launch in winter/spring 2012.

How often are courses offered?
Instructor-led courses are offered three times a year—in the fall, winter/spring, and summer. Once you register, self-guided courses can be accessed almost immediately (but remember: these do not include a teacher or discussion forums, just access to course materials).

Do I need any special software?
Nope, just Internet access. MoMA Courses Online are compatible with both PCs and Macs.

What Students Are Saying


On Materials and Techniques of Postwar Abstract Painting:

“This has been an amazing class for me and surpassed all my expectations. I've really enjoyed the readings and videos, the thoughtful feedback on the work we have created. I have a completely new appreciation for the paintings we've studied and a renewed excitement for painting overall. Having such a knowledgeable and interesting instructor was the best part of the course for me.”—Kristen Throop, Santa Rosa, California

“I thought this class was great! I really enjoyed the whole format and I got to see some paintings that are impossible to see in SE Georgia. I loved being able to take a class like this and not leave home. The videos were fabulous and the discussions easy to view and join. The amount of information that you were able to impart was impressive. I have a new understanding and appreciation for abstract art that did not exist before this class.”—Kathy McClain, St. Marys, Georgia

“The MoMA online course for Abstract Expressionist art was beyond wonderful. It has opened up a whole new world for me in so many different ways. To top it off, I have made many new artist friends around the world, as well as at MoMA. I share my MoMA experience with people every week.”—Doug Brannon, Outer Banks, North Carolina

On Modern Art, 1880–1945:

“Thank you to everyone that made this possible. I am left inspired by all the information and the wealth of knowledge that each presenter gave on the videos and also to the online writers and compilers of the resources. I appreciated ‘visiting’ MoMA each week from over here in Adelaide, South Australia, it took me to another world. I look forward to my next visit to MoMA, to be further inspired by the fabulous art collection that you have.”—Lynda Robinson, South Australia

“I really feel transformed after taking this course. I was delighted with all the information available, the quality of the videos and the educator’s skills to express the artist’s message, their background and their lives’ circumstances. I learned and enjoyed with the discussion forums. People from all over the world sharing knowledge, experience, point of views!.”—M. Garcia, Caracas, Venezuela

“I found the MoMA Modern Art History course to be utterly inspiring. The combination of compelling lectures with the online gallery tours and the interaction with the other students from around the world was really enlightening and provocative. I think of myself as a bit of a luddite in terms of technology and I was worried that I wouldn't be able to take full advantage but the course was structured in such a way that even I could participate. I was also so impressed by how much personal attention the instructor gave all of us. She really made it feel like a live classroom full of really switched on students. I can't wait to take another course!”—Eda Holmes, Toronto, Canada