The Moment of the Jump

Front / Recto

Title The Moment of the Jump from the series I Photograph Myself during a Parachute Jump (Ich fotografiere mich beim Absturz mit dem Fallschirm) (Der Moment des Absprungs)
Negative Date 1931
Print Date 1931
Medium Gelatin silver print
Dimensions Image 5 9/16 × 8 1/16" (14.2 × 20.4 cm)
Sheet 7 × 9 9/16" (17.8 × 24.3 cm)
Place Taken Berlin
Credit Line Thomas Walther Collection. Gift of Thomas Walther
MoMA Accession Number 1849.2001.5

Mount Type No mount
Marks and Inscriptions
Inscribed in pencil on sheet verso, top left: 115. Label affixed to sheet verso, center, with text printed in black ink: Ich fotografiere mich beim Absturz mit dem Fallschirm./Der Fotograf springt mit dem Fallschirm ab./Der Moment des Absprungs [1]./Copyright by Fotoakutell GmbH. Berlin SW. 68,Markgrafenstr. 87.

[1] "I photograph myself during a parachute jump. The photographer jumps with a parachute. The moment of the jump."
Provenance The artist, Berlin; to Vertrieb für Pressephotos (Christoph Netzle), Zurich, probably 1931 [1]; to Freudenberg GmbH (Hans Guggenbühl and Guido A. Pozzi), after 1930 and possibly in summer 1945 [2]; to Internationale Bilderagentur (Dr. Heinz Müller), Oberengstringen, Switzerland, 1945–47 [3]; to Dr. Roland Müller, Brugg, Switzerland, possibly February 1971 [4]; sold through Christie's New York (sale 8982, lot 272) to Michael Shapiro Gallery, San Francisco, October 6, 1998 [5]; purchased by Thomas Walther, 1998 [6]; given to The Museum of Modern Art, New York, 2001.
[1] Roland Müller, e-mail to Simon Bieling, April 16, 2005.
[2] Ibid. This series was acquired in a lot comprising one to two hundred thousand photographs.
[3] Ibid.
[4] Ibid.
[5] MacGill/Walther 2001(4), p. 12; and Shapiro Gallery invoice no. 98-158, October 9, 1998. The series was purchased from Christie's by the gallery on behalf of Thomas Walther.
[6] Shapiro invoice.

Surface Sheen Glossy
Techniques Ferrotyping
Copy print
PTM

View of the recto of the artwork made using reflectance transformation imaging (RTI) software, which exaggerates subtle surface details and renders the features of the artwork plainly visible. Department of Conservation, MoMA
Micro-raking

Raking-light close-up image, as shot. Area of detail is 6.7 x 6.7 mm. Department of Conservation, MoMA

Raking-light close-up image, processed. Processing included removal of color, equalization of the histogram, and sharpening, all designed to enhance visual comparison. Department of Conservation, MoMA

Format Metric
Weight Single weight
Thickness (mm) 0.18
UV Fluorescence Recto negative
Verso negative
Fiber Analysis Softwood bleached sulfite 12%
Rag 81%
Bast 5%
Softwood bleached kraft/soda 2%
Material Techniques Developing-out paper
XRF
This work was determined to be a gelatin silver print via X-ray fluorescence (XRF) spectrometry.

The following elements have been positively identified in the work, through XRF readings taken from its recto and verso (or from the mount, where the verso was not accessible):
- Recto: P, S, Ca, Zn, Sr, Ag, Ba
- Verso: Al, Si, S, K, Ca, Zn, Sr, Ag, Ba
The graphs below show XRF spectra for three areas on the print: two of the recto—from areas of maximum and minimum image density (Dmax and Dmin)—and one of the verso or mount. The background spectrum represents the contribution of the XRF instrument itself. The first graph shows elements identified through the presence of their characteristic peaks in the lower energy range (0 to 8 keV). The second graph shows elements identified through the presence of their characteristic peaks in the higher energy range (8 to 40 keV).

Areas examined: Recto (Dmax: black; Dmin: green), Verso or Mount (blue), Background (red)
Elements identified: Al, Si, P, S, K, Ca, Ag, Ba

Areas examined: Recto (Dmax: black; Dmin: green), Verso or Mount (blue), Background (red)
Elements identified: Zn, Sr, Ag