EXHIBITIONS BY YEAR

New York Private Collections

20 July to 12 September 1948

View on MoMA

MoMA Staff

Organizer

James Thrall Soby American, 1906–1979

Artists

Jean (Hans) Arp
French, born Germany (Alsace). 1886–1966
81 exhibitions

Milton Avery
American, 1885–1965
23 exhibitions

William Baziotes
American, 1912–1963
15 exhibitions

Constantin Brancusi
French, born Romania. 1876–1957
64 exhibitions

Paul Burlin
American, 1886–1969
7 exhibitions

Stuart Davis
American, 1892–1964
59 exhibitions

Arthur Dove
American, 1880–1946
33 exhibitions

Philip Evergood
American, 1901–1973
11 exhibitions

Juan Gris
Spanish, 1887–1927
77 exhibitions

Marsden Hartley
American, 1877–1943
29 exhibitions

Edward Hopper
American, 1882–1967
61 exhibitions

Paul Klee
German, born Switzerland. 1879–1940
132 exhibitions

Yasuo Kuniyoshi
American, 1889–1953
47 exhibitions

Gaston Lachaise
American, born France. 1882–1935
51 exhibitions

Loren MacIver
American, 1909–1998
23 exhibitions

Joan Miró
Spanish, 1893–1983
137 exhibitions

Piet Mondrian
Dutch, 1872–1944
76 exhibitions

Charles Moore
American, 1931–2010
4 exhibitions

Pablo Picasso
Spanish, 1881–1973
231 exhibitions

John Piper
British, 1903–1992
8 exhibitions

Abraham Rattner
American, 1893–1978
5 exhibitions

Ben Shahn
American, born Lithuania. 1898–1969
86 exhibitions

Charles Sheeler
American, 1883–1965
85 exhibitions

Elizabeth Sparhawk-Jones
American, 1885–1971
3 exhibitions

Theodoros Stamos
American, 1922–1997
10 exhibitions

Walter Stuempfig
American, 1914–1970
4 exhibitions

Rufino Tamayo
Mexican, 1899–1991
29 exhibitions

Mark Tobey
American, 1890–1976
29 exhibitions

John Tunnard
British, 1900–1971
4 exhibitions

Max Weber
American, born Russia. 1881–1961
47 exhibitions

New York Times Review of the exhibition

PUBLISHED

25 July 1948

PERSONAL CHOICES; Examples in Collections In a Summer Show

By Howard DEVREE

SELECTED examples from six private collections of contemporary art have been placed on view at the Museum of Modern Art. The paintings, sculpture and collages are not only indicative of the personal tastes of the collectors but also present, taken together, a miniature cross section of the modern movement.

New York Times • page X8 • 453 words