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EXHIBITIONS BY YEAR

Inside Spaces

22 January to 24 March 1981

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MoMA Staff

Curator

Artists

Vito Acconci
American, born 1940
23 exhibitions
Emilio Ambasz
18 exhibitions
Richard Artschwager
American, 1923–2013
18 exhibitions
James Casebere
American, born 1953
1 exhibition
Rosemarie Castoro
American, born 1939
3 exhibitions
Lucinda Childs
American, born 1940
1 exhibition
Langdon Clay
2 exhibitions
Lynne Clibanoff
American, born 1944
1 exhibition
Richard Foreman
American, born 1937
2 exhibitions
Philip Glass
1 exhibition
Michael Graves
American, born 1934
8 exhibitions
Richard Haas
American, born 1936
7 exhibitions
Will Insley
American, 1929–2011
5 exhibitions
Balthazar Korab
Hungarian, 1926–2013
2 exhibitions
William Leavitt
American, born 1941
2 exhibitions
Sol LeWitt
American, 1928–2007
43 exhibitions
Richard Meier
American, born 1934
2 exhibitions
Joel Meyerowitz
American, born 1938
9 exhibitions
Duane Michals
American, born 1932
12 exhibitions
Mary Miss
American, born 1944
3 exhibitions
Douglas Prince
American, born 1943
4 exhibitions
Aldo Rossi
Italian, 1931–1997
1 exhibition
Robert A. M. Stern
American, born 1939
3 exhibitions
Ezra Stoller
American, 1915–2004
7 exhibitions
George A. Tice
American, born 1938
8 exhibitions
Judith Turner
2 exhibitions
Jerry Uelsmann
American, born 1934
17 exhibitions
Robert Wilson
American, born 1941
13 exhibitions
Timothy Wood
1 exhibition
Ralph Lerner
1 exhibition
Nathaniel Lieberman
1 exhibition
Norman McGrath
1 exhibition
Lisa Rinzler
1 exhibition
Sandy Skoglund
1 exhibition
Nathaniel Tileston
1 exhibition
Tod Williams
1 exhibition

New York Times Review of the exhibition

PUBLISHED

28 December 1980

Architecture View;THE BOOM IN BIGNESS GOES ON

By Ada Louise HUXTABLE

This is the year in which schizophrenia took over officially in architecture. The event of the year may have been a formal confrontation at the Harvard Club in early December between the high practitioners of modernism, Skidmore, Owings and Merrill, whose prestige skyscrapers proclaim the esthetic of money, function and power in every major American city, and the high priests of postmodernism, represented by Robert Stern, Michael Graves, Jorge Silvetti and Steven Peterson, who build a little and write and talk a lot about why firms like S.O.M. are passe. The debate was refereed by the editors of the Harvard Architecture Review, an earnest, high-culture publication put out by students of the Graduate School of Design that gives a lot of space to this sort of thing. But the truly remarkable feature of the meeting was that S.O.M. asked for it, in a ''What are we doing wrong?'' spirit, which might be freely translated as what do you guys know that we don't know. ''Practice'' and ''polemic'' lined up on opposite sides of the table. S.O.M. was told that the austere glass box is out and decoration, color and historical allusion are in. The ultimate putdown was delivered: Modern is a bore.

New York Times • Arts • page 25 • 1,275 words