<?php include('../../../inc/bootstrap.php'); ?>
<?php $mural = getMuralFolder(); ?>
<!DOCTYPE HTML PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
<html xmlns="http://www.w3.org/1999/xhtml">
	<?php $title = 'Sugar Cane'; ?>
	<?php $description = 'Set on a sugar plantation, this portable mural introduces the tensions over labor, race, and economic inequity that simmered in Mexico after the Revolution. In the foreground, an Indian woman, with the traditional braids and white clothes of a peasant, cuts papayas from a tree while her children collect the fruit in reed baskets. Behind them, dark-skinned men with bowed heads gather bunches of sugar cane. A foreman, with distinctly lighter skin and hair, watches over them on horseback, and in the background a pale <i>hacendado</i> (wealthy landowner) languishes in a hammock. In this panel, Rivera adapted Marxist ideas about class struggle—an understanding of history born in industrialized Europe—to the context of Mexico, a primarily agrarian country until after World War II.'; ?>
	<?php $image = $base_url.'/content/mural/'.$mural.'/images/mural.jpg'; ?>
	<?php include('../../../templates/head.tpl.php'); ?>
	<body class="murals detail-intro">
		<div id="page">
			<div id="main">
				<div class="mural-holder">
					<div class="caption">
						<a class="caption" href="#"><span>+</span> caption</a>
						<div class="caption-text"><div class="caption-bottom"><div class="caption-body">
							<div class="caption-item mural caption-active">
								<p>Fresco on reinforced cement in a galvanized-steel framework, 57 1/8 x 94 1/8" (145.1 x 239.1 cm). Philadelphia Museum of Art. Gift of Mr. and Mrs. Herbert Cameron Morris, 1943. © 2011 Banco de México Diego Rivera & Frida Kahlo Museums Trust, México, D.F./Artists Rights Society (ARS), New York</p>
							</div>
							<div class="caption-item sketch">
								<p>sketch caption</p>
							</div>
						</div></div></div>
					</div>
					<div class="image-holder">
						<div class="view-image" id="mural-image"><img src="images/mural.jpg" alt="" /></div>
						<!--<div class="image active-image" id="sketch-image"><img src="images/sketch.jpg" alt="" /></div>-->
					</div>
					<div class="navigation">
						<div class="panel">
							<div class="btn"></div>
						</div>
						<ul class="buttons left">
							<li class="first last"><a class="active view-mural" href="#">View Mural</a></li>
						</ul>
						<ul class="buttons right">
							<li class="first last"><a class="active" href="#sketch-image">View Sketch</a></li>
						</ul>
					</div>
				</div>
			</div>
			<div id="sidebar">
				<div id="menu">
					<?php include('../../../templates/menu.tpl.php'); ?>
					<div class="bar-content mural-page">
						<div class="content">
							<div class="date">1931</div>
							<h2>Sugar Cane</h2>
							<div class="description">
								<div class="text-item mural text-active">
									<p>Set on a sugar plantation, this portable mural introduces the tensions over labor, race, and economic inequity that simmered in Mexico after the Revolution. In the foreground, an Indian woman, with the traditional braids and white clothes of a peasant, cuts papayas from a tree while her children collect the fruit in reed baskets. Behind them, dark-skinned men with bowed heads gather bunches of sugar cane. A foreman, with distinctly lighter skin and hair, watches over them on horseback, and in the background a pale <em>hacendado</em> (wealthy landowner) languishes in a hammock. In this panel, Rivera adapted Marxist ideas about class struggle—an understanding of history born in industrialized Europe—to the context of Mexico, a primarily agrarian country until after World War II.</p>
								</div>
								<div class="text-item sketch">
									<p>Rivera used drawings like this cartoon for <span>Liberation of the Peon</span> to work out the compositions of his murals. In both study and fresco, he focused on the relationship between the figures in the group and the limp body of the peon. In order to facilitate transfer of this image, Rivera drew diagonal lines over the composition, with their intersection marking its center. These lines helped him to position the foreground figure, which is more completely finished than the rest of the drawing.</p>
								</div>
							</div>
							<div class="arrows">
								<ul class="menu">
									<li><a id="scroll-up" href="#">Up</a></li>
									<li><a id="scroll-down" href="#">Down</a></li>
								</ul>
							</div>
							<div class="depth"><a href="hotspots.php">the mural in-depth</a></div>
							<?php $audio = "media/audio.mp3"; ?>
							<?php if (file_exists($audio)) : ?>
								<?php include('../../../templates/audio.tpl.php'); ?>
							<?php endif; ?>
							<?php $url = $base_url.'/content/mural/'.$mural.'/detail.php'; 	 ?>
							<?php include('../../../templates/share.tpl.php'); ?>
						</div>
					</div>
					<?php include('../../../templates/murals-menu.tpl.php'); ?>
					<ul class="menu main-menu">
						<li class="home"><a href="<?php print $base_url; ?>">Home</a></li>
						<li class="menu"><a href="#">Menu</a></li>
						<li class="murals"><a href="#">Murals</a></li>
						<li class="sugar-cane active"><a href="#">Sugar Cane</a></li>
					</ul>
				</div>
			</div>
		</div>
	</body>
</html>