Impressions
From
South Africa

1965 to Now

March 23–August 29, 2011

  • Introduction
  • Selected Works
    • Posters and Activism
    • Linocut: Rorke’s Drift and Beyond
    • Intaglio
    • Photography in Printmaking
    • New Directions
  • In the Printshop
  • All Works in the Online Collection
  • Publication
  • Exhibitions Views
  • Other Resources
    • Exhibition Checklist
    • Blog
    • Events
  • Credits
MoMA

Photography in Printmaking

The processes of printmaking allow for the seamless incorporation of photographic images. Using photobased techniques, artists in South Africa have transformed straightforward, documentary representations into more nuanced, interpretive images. Using screenprint and photolithography, Jo Ractliffe, Zwelethu Mthethwa, and Anton Kannemeyer have altered, layered, and reconstituted their own photographs. Sue Williamson has used photocopy to explore historical events and documents, while Ernestine White uses it to create self-portraits full of ambiguity.

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Nadir 15 and 16
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Jo Ractliffe. Nadir 15 and 16 from Nadir. 1988

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For Thirty Years Next to His Heart
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Sue Williamson. For Thirty Years Next to His Heart. 1990

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The Day Before
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Zwelethu Mthethwa. The Day Before. 2000

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A White Person
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Anton Kannemeyer. A White Person. 2004

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Outlet
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Ernestine White. Outlet. 2010

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