Gabriel Orozco. Light through Leaves. 1996
(Edition for Parkett 48, 1996)
Iris print, 22 x 32 1/8" (55.9 x 81.6 cm)
Publisher: Parkett, Zurich and New York
Printer: Cone-Laumont Editions, New York
Edition: 60
The Museum of Modern Art, New York. Frances Keech Fund
© 1996 Gabriel Orozco

Orozco's work includes interventions in public spaces, sculptural objects, photographs that record his projects, and other works on paper. In this example he responds to the effects of light through branches of trees, adding artificial elements that enhance the experience of natural phenomena.

   

Mariko Mori. Star Doll. 1998
(Edition for Parkett 54, 1998–99)
Multiple of doll, 10 1/4 x 3 1/8" x 1 9/16"
(26 x 8 x 4 cm) (irreg.)
Publisher: Parkett, Zurich and New York
Manufacturer: Marmit, Tokyo
Edition: 99
The Museum of Modern Art, New York. Linda Barth Goldstein Fund
© 1998 Mariko Mori

Mori, a multimedia artist who has worked in photography, video, and performance art, and as a former fashion designer and model, here takes her playful imagery to a new level of literalness. She bases this piece on her earlier life-size 3-D photographic image, which is accompanied by an audio CD. In both, she presents herself as a computer-fabricated pop star and explores the hybrid nature of individual identity and its relation to private fantasies and global culture.

 
   

Kara Walker. Boo-Hoo. 2000
(Edition for Parkett 59, 2000)
Linoleum cut, 40 x 20 1/2" (101.6 x 52.1 cm)
Publisher: Parkett, Zurich and New York
Printer: Derrière L'Étoile Studio, New York
Edition: 70
The Museum of Modern Art, New York. The Ralph E. Shikes Fund
© 2000 Kara Walker

Using her primary format of the black silhouette with traditional decorative elements, Walker here confronts African American, historical, and female stereotypes with Biblical allusion to Eve. In an image of anguish, slavery in the antebellum South is referenced with a whip, while the serpent is held off by a stranglehold.