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  <description><![CDATA[Representing Dada<br /> Saturday, September 9, 2006<br /><br /> To mark the close of the international <i>Dada</i> exhibition organized by the National Gallery of Art, Washington, and the Centre Pompidou, Paris, in collaboration with The Museum of Modern Art, New York, MoMA hosted a day-long symposium to consider issues involved in representing Dada through texts, images, and objects, with a particular focus on the semantics of display. A distinguished group of scholars discussed landmark Dada exhibitions and past publications, with the aim of addressing how Dada has been defined historically, geographically, and conceptually.<br /><br /> Roundtable: Displaying Dada 2005–06<br /><br /> Leah Dickerman, Associate Curator of Modern and Contemporary Art, National Gallery of Art, Washington; Laurent Le Bon, Chief Curator, Centre Pompidou, Musée national d’art moderne, Paris; and Anne Umland, Curator, The Museum of Modern Art, New York<br /><br/> Additional resources:<br /> Does Dada Dissolve into Surrealism?<br /> Didier Ottinger, Senior Curator, Centre Pompidou, Musée national d’art moderne, Paris<br /> <a href="http://www.moma.org/docs/learn/2006_DadaSymp/DidierDADAfinal.pdf">Download PDF transcript</a><br /><br /> New York Dada? Looking Back after a Second World War<br /> Catherine Craft, Independent scholar and critic<br /> <a href="http://www.moma.org/docs/learn/2006_DadaSymp/MOMA_RepresentingDadatalk.pdf">Download PDF transcript</a><br /><br /> "Join Dada!" Aspects of Dada’s Reception since the Late 1950s<br /> Hanne Bergius, Professor for the History of Art, Design and Architecture,<br /> Burg Giebichenstein, University for Art and Design, Halle<br /> <a href="http://www.moma.org/docs/learn/2006_DadaSymp/HanneBergiusDADA.pdf">Download PDF transcript</a>]]></description>

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