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Loie Fuller and the Convergence of Dance and Art
Thursday, September 22, 2011
12:30 PM
In the early 1890s, Marie Louise Fuller was a nearly washed-up, 30-year-old vaudeville performer with no formal training in dance. But, by the turn of the century, the Chicago native had re-invented herself and made her way to Paris, where her spectacular, “multimedia” performances—involving projected color, dramatic lighting, unusual choreography, and swaths of swirling fabric used to create radically abstract, undulating effects—were inspiring huge audiences. Over the next three decades Fuller was a muse to dozens of artists, poets, and composers, from Henri de Toulouse-Lautrec to Stéphane Mallarmé and Claude Debussy. This talk will explore how “La Loie” transformed herself into a Parisian sensation—becoming the very embodiment of the Art Nouveau—and innovated modern performance while shaping her own destiny as an artist.
Larissa Bailiff (PhD, ABD, Institute of Fine Arts, New York University) is a specialist in late 19th- and early 20th-century European art and social history. Formerly an associate educator at MoMA, she has also lectured at other New York museums and teaches art history courses at both the Fashion Institute of Technology and the Pratt Institute.
MoMA Talks: Brown Bag Lunch Lectures (81)
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The Concrete and Neo-Concrete Movements in Argentina, Brazil, and Venezuela
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Photographs by JoAnn Verburg
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Q&A
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From Pavel Tchelitchew's Hide-and-Seek to Andrew Wyeth's Christina's World
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The Creative Dialogue of the Leaders of the Russian Avant-Garde
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Geometry and the Birth of Modern Painting
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European Geometric Tendencies and the Impact of the Cold War
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Think with the Senses/Feel with the Mind. Art in the Present Tense
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Art Spiegelman, Rachel Whiteread, Christian Boltanski, and Others Remember the Holocaust
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The Drawings
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The Work of Anselm Kiefer
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A Tribute to Sol LeWitt (1928–2007)
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The Origins and Development of Japanese Kankyo
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The Futurist Exhibitions at the Venice Biennale under Fascism, 1928–42
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Reinventing Color, 1950 to Today
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documenta 12: Exhibiting Education
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Commerce and Pop, 1950–68
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Design and the Elastic Mind
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The History of Public Art at Rockefeller Center
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Painting and Film. A Preview
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A User's Guide to the Architecture of the Beijing Olympics
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Olafur Eliasson
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Fabricating the Modern Dwelling
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Kirchner and the Berlin Street
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Van Gogh and the Colors of the Night
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The Contemporary Artist's Book
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Art and Dementia
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East and West in the World of Alighiero e Boetti
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Homage to New York: Jean Tinguely's Destructive Art
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Building an Audience for Modern Art
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Painting and Anti-Painting 1927–1937
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The High Rise and Decline of Low-Income Housing in America
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Collecting and Museums as Art
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Joan Miró's Influence on Graphic Design
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León Ferrari and Mira Schendel
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Sol LeWitt
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Measuring Your Own Grave
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Chagall’s Nomadic Modernism
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Viennese Architecture and Design Between the Two World Wars
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Photography's Image of the American West
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Diego Rivera and Frida Kahlo in New York
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Gabriel Orozco
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Jacob Lawrence’s Migration Series
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Monet’s Water Lilies
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Jackson Pollock, John Cage and William Burroughs
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Five Themes
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Seven Projects by Peter and Alison Smithson
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The Playground Movement in Chicago
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Radical Invention 1913–1917
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Luigi Ontani’s 1970s Painted Photographs
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New Architectures of Social Engagement
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Tim Burton
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The Modern Century
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New Activist Practices in Environmental Art
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The Photography of Sculpture, 1839 to Today
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Design and the Modern Kitchen
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The Universal Exposition of 1889 and the Art of Edvard Munch, Paul Gauguin, and Henri Rousseau
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Abstract Expressionist New York
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On Line: Drawing Through the Twentieth Century
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Loie Fuller and the Convergence of Dance and Art
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Talk to Me: Design and the Communication between People and Objects
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Psychedelic Light Shows and the New Left Politics
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The Magic of Plywood
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Ossip Zadkine and Naum Gabo in Rotterdam
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Performing the Past: Italian Art and Cinema of the 1960s and 1970s
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Labarlabolab! Performing Translation in the Museum
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Duck Duck Goose
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Are Games Art?
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Wholeschooling, with Paul Bartow and J. Morgan Puett in conversation
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Architecture, Popular Culture, and Communication
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Variations on a Theme Park
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Swarming and Self-Organization, with Brian Conley
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Whole Schooling
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Lived, Constructed, and Imagined in the work of On Kawara, Alighiero e Boetti, and Yoko Ono
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The Art of Sahrawi Cooking
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Walter De Maria, Michael Heizer, Robert Smithson, James Turrell, and Others
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Interrogating the Changing Artwork
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Artistic Research Science Fair
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The Art of Agnes Denes, Mona Hatoum, and Richard Long
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On Meat and Mortality
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Space, Time, and Architecture
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