Throughout the run of Inventing Abstraction, 1910–1925 (December 23, 2012–April 15, 2013) we invited contemporary artists to pick a work and say briefly what they find most compelling about it. Read more
TAG: R. H. QUAYTMAN
Posts tagged ‘R. H. Quaytman’
Last year MoMA’s Department of Painting and Sculpture acquired R. H. Quaytman’s Iamb: Chapter 12, Excerpts and Exceptions, with Painting Rack, a work comprised of six paintings, made between 2001 and 2009, set inside (and to the side of) a shallow wooden storage/display case. Two of the paintings were on view in Quaytman’s beautifully installed 2009 solo exhibition at the Miguel Abreu Gallery; the others joined the group in the artist’s studio before coming to the Museum. In general, I find Quaytman’s work to be complicated, but complicated in a completely satisfying way—this is especially true of Iamb: Chapter 12. Some of the panels in the set are minimal, such as an off-white gesso panel interrupted by four vectors; others maximal, like a panel displaying a silkscreen of John Martin’s mezzotint Heaven—The Rivers of Bliss (1824–25). The visual asynchronies of the series are undermined by a unified palette of whites, blacks, and half-tones, and by their placement within the rack, with the works’ absolute proximity to one another forcing a focused consideration of likeness. Read more
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). For additional information about using content from MoMA.org, please visit About this Site (www.moma.org/site).
© Copyright 2016 The Museum of Modern Art