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TAG: PRINTMAKING

Posts tagged ‘printmaking’
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June 5, 2014  |  Artists, Collection & Exhibitions
Sigmar Polke’s Printed Dots
Installation view of Alibis: Sigmar Polke 1963–2010, The Museum of Modern Art, New York, April 19–August 3, 2014. © 2014 The Estate of Sigmar Polke/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn, Germany

Installation view of Alibis: Sigmar Polke 1963–2010, The Museum of Modern Art, New York, April 19–August 3, 2014. © 2014 The Estate of Sigmar Polke/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn, Germany

Within the arsenal of unusual and experimental techniques on clamorous display in Alibis: Sigmar Polke 1963–2010, the artist’s prints are notable for their sly celebration of the halftone dot pattern, the tonal register that has enabled images to be reproduced in newspaper photographs, magazine ads, consumer packaging, etc. since the late 19th century. Read more

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March 1, 2013  |  Collection & Exhibitions
The Making of Louise Bourgeois’s The Fragile
Louise Bourgeois. The Fragile. 2007. Series of 36 compositions: 29 digital prints and 7 screenprints, 30 with dye additions. Sheet (each approx.): 11 1/2 x 9 1/2" (29.2 x 24.1 cm). © 2013 Louise Bourgeois Trust. Installation view at The Museum of Modern Art, 2013. Photo:

Louise Bourgeois. The Fragile. 2007. Series of 36 compositions: 29 digital prints and 7 screenprints, 30 with dye additions, sheet (each approx.): 11 1/2 x 9 1/2″ (29.2 x 24.1 cm). © 2013 Louise Bourgeois Trust

Don’t miss Louise Bourgeois’s The Fragile, on view through March 8 on MoMA’s second-floor landing, outside the entrance to the Prints and Illustrated Books Galleries. The Fragile is included in the first 400 works on the Museum’s recently launched online catalogue raisonné, Louise Bourgeois: The Complete Prints & Books. Read more

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June 7, 2012  |  Artists, Collection & Exhibitions
Christian Marclay: Sound on Paper

Sound forms the nucleus of much of American artist Christian Marclay’s practice. From innovative sound collages, with turntables and records employed as instruments; to the splicing and reconstituting of physical records to create strange, jumping concoctions of melodies Read more

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Reading Print/Out: 20 Years in Print

Front Cover of Print/Out: 20 Years in Print (MoMA, 2012)

Reading Print/Out: 20 Years in Print is a bit like browsing the Internet while strolling through a crowded urban intersection, overhearing many conversations at once and witnessing the same (but different) red stop sign again, on the next corner Read more

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Revisiting Print Studio: Miscellaneous Uncatalogued Material

EXTRA! EXTRA! Hot off the presses! EXTRA! EXTRA! Read all about it! Publications available at MoMA! Read more

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Print Studio’s last days: Keep on Printin’!

Print Studio Editions, featuring prints and artist book projects

Last week Print Studio came to a close after six great weeks of productivity and experimentation with the medium of print. Read more

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Ten-Minute Talk: David Senior in Conversation with Artist Emily Roysdon

This week’s Ten-Minute Talk features David Senior, bibliographer at the MoMA Library and curator of Millennium Magazines in conversation with  featured artist Emily Roysdon. Read more

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Print Studio: Last Week to Make a Print!

A wall of "Editions" made by Print Studio participants

Hard to believe that five great weeks have flown by at Print Studio and that this is the final week of the project! Read more

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February 27, 2012  |  Collection & Exhibitions, Print Studio, Print/Out
Altered Books and More at Print Studio

From day one, Print Studio has been a site for finding new ways to use old books, as visitors have copied and pasted images from the illustrious Reanimation Library‘s collection of previously discarded books. Read more

February 27, 2012  |  Collection & Exhibitions
Ten-Minute Talk: Phil Sanders on Printmaking

This week’s Ten-Minute Talk features Phil Sanders, director and master printer at the Robert Blackburn Printmaking Workshop, a program of The Elizabeth Foundation for the Arts. Read more