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TAG: PHOTOGRAPHY

Posts tagged ‘photography’
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The Junior Associates Visit with Artist Laurie Simmons

Laurie Simmons. How We See/Look 1/ Daria. 2014. Pigmented inkjet print, 78 x 48 “. The Museum of Modern Art, New York. Acquired through the generosity of The Junior Associates of The Museum of Modern Art, 2014. © 2015 Laurie Simmons

Laurie Simmons. How We See/Look 1/ Daria. 2014. Pigmented inkjet print, 78 x 48″. The Museum of Modern Art, New York. Acquired through the generosity of The Junior Associates of The Museum of Modern Art, 2014. © 2015 Laurie Simmons

Last year, The Junior Associates supported the Department of Photography’s acquisition of a recent work by the artist Laurie Simmons. This work, How We See/Look 1/Daria (2014), is part of Simmons’s How We See series, inspired by the practice in which individuals dress up as dolls or anime characters and paint eyes on their closed eyelids. Read more

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November 17, 2015  |  Behind the Scenes, Collection & Exhibitions
Sculptures, Videos, and Newsstands: Installing Ocean of Images: New Photography 2015
Installing Ocean of Images: New Photography 2015. Photo: Kristen Gaylord

Installing Ocean of Images: New Photography 2015. Photo: Kristen Gaylord

At one point during the installation of Ocean of Images: New Photography 2015, one of the MoMA art handlers asked, “Where are all the photos?” It’s a valid question. For an exhibition of photography, Ocean of Images contains fewer framed pictures than one would expect. Read more

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October 29, 2015  |  Film
MoMA Presents: Jacqui and David Morris’s McCullin
Don McCullin. Turkish woman mourning the death of her husband, Cyprus, 1964. 1964. Image courtesy Don McCullin and the filmmakers

Don McCullin. Turkish woman mourning the death of her husband, Cyprus, 1964. 1964. Image courtesy Don McCullin and the filmmakers

“War is partly madness, mostly insanity, and the rest of it’s schizophrenia. You do ask yourself, ‘Why am I here? What is my purpose? What’s this got to do with photography?’ And it goes on and on, the questioning. You’re trying to stay alive, you’re trying to take pictures, you’re trying to justify your presence there. Read more

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May 21, 2015  |  Collection & Exhibitions
LP Covers—Music in Your Hand

As a member of a pre-mp3 devices generation, I have fond memories of trips to the record store. Holding a great LP cover is like holding its music in your hand; the best are a visual expression or translation of the music they deliver. Read more

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February 4, 2015  |  Collection & Exhibitions, Tech
Object:Photo—Visualizing the Thomas Walther Collection
A screen grab of the Object:Photo website showing a map of selected events in László Moholy-Nagy’s life

A screen grab of the Object:Photo website showing a map of selected events in László Moholy-Nagy’s life

When MoMA’s departments of Photography and Conservation set out to make a website to showcase the 341 photographs in the Thomas Walther Collection, the goal was to create an innovative resource that would take full advantage of the Internet’s interactivity. In December, MoMA launched Object:Photo, a digital research platform featuring four data visualizations that allow visitors to explore the materials, techniques, and art historical context of these 341 modernist photographs. Read more

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January 27, 2015  |  Collection & Exhibitions
One Photograph, Two Contexts: Aleksandr Rodchenko’s Dive
Installation view of Modern Photographs from the Thomas Walther Collection, 1909–1949, The Museum of Modern Art, New York, December 13, 2014–April 19, 2015. Photo: Jonathan Muzikar. © 2015 The Museum of Modern Art

Installation view of Modern Photographs from the Thomas Walther Collection, 1909–1949, The Museum of Modern Art, New York, December 13, 2014–April 19, 2015. Photo: Jonathan Muzikar. © 2015 The Museum of Modern Art

On the Museum’s third floor, Aleksandr Rodchenko’s Dive (1934), a gelatin silver print roughly 12 inches high and 10 inches wide, is on display in the exhibition Modern Photographs from the Thomas Walther Collection, 1909–1949. On the related Object:Photo website, the same photograph is shown reproduced in the July 1935 issue of Sovetskoe foto (Soviet photo), a state-sanctioned, Moscow-based journal founded in 1926 dedicated to photography and photographic techniques. Read more

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December 5, 2014  |  Artists, Publications
Nicholas Nixon: 40 Years of the Brown Sisters
Cover of Nicholas Nixon. The Brown Sisters. Forty Years, published by The Museum of Modern Art

Cover of Nicholas Nixon: The Brown Sisters. Forty Years, published by The Museum of Modern Art

The Museum of Modern Art first exhibited Nicholas Nixon’s photographs of the Brown Sisters in 1976, as part of his first-ever solo exhibition titled Longer Views: 40 Photographs by Nick Nixon. The series was in its infancy at the time and only two portraits of the sisters existed, Read more

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November 21, 2014  |  Artists, Collection & Exhibitions
“Dear Mr. Szarkowski”: Postcards from Nicholas Nixon

Celebrating the publication and exhibition on the 40th anniversary of Nicholas Nixon’s The Brown Sisters, the Department of Photography wanted to share from its collection a selection of “postcards” by Nixon that the photographer sent to the department’s former director, John Szarkowski. On the back of each of these photographs, one finds letters written by Nixon to Szarkowski. Read more

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September 11, 2014  |  Intern Chronicles
Paris Photo Los Angeles: A Photographic Celebration

It was around the end of April and I was still suffering from the cold of my first winter in New York, when I had the opportunity to choose a professional travel destination as a MoMA intern in the Department of Photography. And what better escape could there be than a photographic journey to California? Read more

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April 25, 2014  |  Artists, Collection & Exhibitions
Rebel Photography: Robert Heinecken as Visual Guerrilla
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Cover of Robert Heinecken: Object Matter, published by The Museum of Modern Art, New York

Robert Heinecken: Object Matter, the first retrospective since the artist’s death in 2006, contains over 100 photo-based works created by Heinecken between 1962 and 1999. Heinecken was best known for working in the medium of photography and with manipulating images, but surprisingly, he seldom used a camera, Read more