TAG: PHOTOGRAPHY

They don’t call it a “photo finish” for nothing! There is something energizing about the most tightly contested races, something captivating in the physical strength and strain of athletes competing at the limits of their ability. I’ll admit I’ve caught Olympics fever. Read more

Liz Deschenes. Moiré #25. 2009. Chromogenic color print, 54 1/16 x 40 1/8″ (137.3 x 101.9 cm). The Museum of Modern Art, New York. Fund for the Twenty-First Century. © 2012 Liz Deschenes

Moiré (from a French textile description) occurs when two patterns (meshes, concentric rings, grids, etc.) are overlaid, creating visual interference at their intersections. Read more

In the video interview above, American photographer Taryn Simon talks about her powerful four-year project A Living Man Declared Dead and Other Chapters I–XVIII (2008–11), currently on view at The Museum of Modern Art. Read more

Cover of the publication Cindy Sherman by Eva Respini. 2012. The Museum of Modern Art, New York

As an admirer of both Cindy Sherman and John Waters, I was happy to see a conversation between the artists included in Cindy Sherman, the exhibition catalogue accompanying the Museum’s major retrospective of the artist’s work. Read more

Cover of the publication Atget. John Szarkowski. 2000. The Museum of Modern Art, New York

In concert with the current photography exhibition Eugène Atget: “Documents pour artistes”, MoMA has republished Atget, a richly illustrated title first published by the Museum in 2000. Read more

Some of Cindy Sherman’s characters bring an immediate context to mind. You gaze at the picture, and there’s the flood of a specific time and place. A scene forms and the figure becomes the protagonist of a narrative. Others are, at first take, more obscure or bizarre. Read more

One of the most exciting features of the Cindy Sherman exhibition is Sherman’s photographic mural, which is making its North American premiere at MoMA. Read more

From left: Eugène Atget. Marchand de paniers en fil de fer. 1899–1900. Albumen silver print, printed 1978 by Chicago Albumen Works. Abbott-Levy Collection. Partial gift of Shirley C. Burden; Eugène Atget. Marchand de paniers en fil de fer. 1899–1900. Gelatin dry plate negative. Abbott-Levy Collection. Partial gift of Shirley C. Burden

Berenice Abbott. Eugène Atget. 1927. Gelatin silver print. Gift of Maria Morris Hambourg

For the first time in more than 25 years, Museum visitors will have the opportunity to enjoy a generous selection of work by the extraordinarily prolific and inventive photographer Eugène Atget (French, 1857–1927). Read more

MoMA’s current New Photography 2011 exhibition has inspired me to revisit the Museum’s books on photography. John Szarkowski’s monograph on Eugène Atget, titled Atget, has been particularly useful Read more