These notes accompany the Great Depression program on November 10, 11, and 12 in Theater 3.
What goes around comes around. I first wrote about King Vidor’s Our Daily Bread in October 1972 (as part MoMA’s massive Vidor retrospective), exactly 38 years after film’s release. Now, another 38 years later, another economic crisis is upon us, and I essentially agree with my earlier assessment of the film. It is still naïve, simplistic, and awkward, but it remains extremely lovely in its innocence. Read more