The five Rising Currents architect-in-residence teams have been playing host to many interested parties in the past weeks. A recent visit from The New York City Mayor’s Office of Long Term Planning and Sustainability and The Port Authority of NY and NJ served as a reminder that the impact of this project transcends the walls of the studio and the museum. On December 12, hundreds of museum visitors explored the studios at P.S.1. Each team implemented different presentation methods—from drawings, models, and maps to oyster farming demonstrations and delicious topographic cakes—to convey their project vision. The teams will open their studios to the public once more at the close of the workshop on Saturday, January 9, from 2:00 to 6:00 p.m.
Posts tagged ‘P.S.1’
This Saturday, December 12 (2:00–6:00 p.m.), is the first opportunity for the public to visit the Rising Currents architect-in-residence studios at P.S.1. As part of P.S.1’s Saturday Sessions, the five teams will open their studios to the public and be available to discuss their work. Two rounds of presentations will be given. The first round of presentations will begin at 2:15 p.m. and be repeated at 4:30 p.m. Below, the teams offer a preview of their site work to date.
After two engineering workshops with Arup, we are pursuing four temporal strategies that unite the disparate scales of our site, and extend the domains of water and land across each other: 1) ferries and mobile programs on barges powered by methane gas collected from the Owl’s Head Wastewater Treatment Plant interconnect a network of hybrid stations/storm surge deflectors; 2) islands combine the infrastructural with the ecological, and are interconnected with inflatable storm surge barriers: “airbag urbanism”; 3) housing on stilts, off the sewage grid, is combined with floating treatment wetlands; 4) a pervious network of infiltration basins, swales, and culverts opportunistically appropriates underutilized plots of land, and when dry, functions as a decentralized network of parks. Read more
A back-to-school energy is percolating through the hallways of P.S.1 Contemporary Art Center, the historic public school building that serves as home to the interdisciplinary architecture-in-residence teams working on MoMA’s Rising Currents workshop and exhibition. In just two weeks the galleries have been transformed into research laboratories, and design strategies are quickly emerging amidst studio work, model building, site visits, collaborative consultations, visiting lectures, and pinup reviews. Below, each team weighs in on their site work to date. Read more
One of the most interesting aspects of organizing exhibitions at P.S.1 is the focus on living artists. For the current 1969 exhibition—which explores a wide range of art in MoMA’s collection made during this turbulent year—we invited a younger group of artists to create interventions in the galleries that reflect and even disrupt the collection show. We included The Bruce High Quality Foundation as their work is rooted in artistic practices that emerged in the late ’60s, especially Bruce Nauman’s studio performances and Joseph Beuys’s conflation of art and broader society. Additionally, the collaborative nature of the Foundation resonates with many of the collective actions of the period. In keeping with their anonymous mode of operations, the Foundation secretly enacted this masked showdown with the 1969 artworks while the exhibition was being installed.