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TAG: MoMA LIBRARY AND ARCHIVES

Posts tagged ‘MoMA Library and Archives’
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Modern Art through Contemporary Eyes: Correspondence from MoMA’s International Program
From left: Alexander Calder. The Big Gong. 1952. IC/IP, I.A.56. The Museum of Modern Art Archives; Installation view of Calder's The Big Gong (top) in Twelve Modern American Painters and Sculptors, Musée National d’Art Modern, Paris, 1953. IC/IP, I.A.64. The Museum of Modern Art Archives

From left: Alexander Calder. The Big Gong. 1952. IC/IP, I.A.56. The Museum of Modern Art Archives; Installation view of Calder’s The Big Gong (top) in Twelve Modern American Painters and Sculptors, Musée National d’Art Modern, Paris, 1953. IC/IP, I.A.64. The Museum of Modern Art Archives

This past year the MoMA Archives processed and opened to the public the full record history of MoMA’s International Council and International Program, a collection so large that it required the work of three staff members to complete it in one year. One benefit of processing a large collection as a team was the opportunity to share our most interesting discoveries with one another. Read more

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February 26, 2014  |  Artists, Collection & Exhibitions
Leonora Carrington’s House of Fear
Installation view of Artist/Novelist, The Museum of Modern Art, January 8–March 31, 2014. Photo: Jennifer Tobias

Installation view of Artist/Novelist, The Museum of Modern Art, January 8–March 31, 2014. Photo: Jennifer Tobias

Leonora Carrington and Max Ernst’s The House of Fear (La Maison de la peur) is currently on view in the mezzanine of MoMA’s Lewis B. and Dorothy Cullman Education and Research Building, as part of the display Artist/Novelist. Read more

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March 28, 2012  |  Library and Archives
Making Millennium Magazines

Installation view of the Millennium Magazines exhibition, The Museum of Modern Art, 2012

As we were brainstorming a name for our Library exhibition of contemporary experimental magazines, Millennium Magazines stuck because of its concise alliteration. The name also specifically isolates this recent period of time—post-Y2K—during which these publications have been flourishing despite constant conversations about the end of print culture. Read more

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May 16, 2011  |  Library and Archives
An Island Observed in Black and White

Oliver Sacks, Ted Muehling, Abelardo Morell. The Island of Rota. 2010. Photograph by Lauren McAlpin

I have the privilege and challenge of working with artists and other collaborators to produce artist’s books for The Library Council of The Museum of Modern Art.  These limited-edition publications are intended to explore the art of the book as they benefit and shed light on MoMA’s research collections. Read more

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April 29, 2011  |  Off the Shelf
Off the Shelf: Our Poetry Muses

The Off the Shelf series explores unique MoMA publications from the Museum Archives.

Right: Cover of A Partridge in a Pear Tree, illustrated by Ben Shahn. Second ed. New York: The Museum of Modern Art, 1951. Left: Frontispiece from 12 Fables of Aesop, illustrated by Antonio Frasconi; narrated by Glenway Wescott. New York: The Museum of Modern Art, 1954.

April is National Poetry Month! To celebrate the final days we thought we’d look at MoMA poetry books. MoMA has published a number of books of poetry, from the lyrically illustrated and hand-lettered A Partridge in a Pear Tree (1951), by Ben Shahn, to 12 Fables of Aesop (1954), illustrated by Antonio Frasconi and narrated by Glenway Wescott. One of my favorites is Three Young Rats and Other Rhymes, the delightfully illustrated book of 83 nursery rhymes selected by former MoMA curator James Johnson Sweeney and illustrated by Alexander Calder. Read more

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April 25, 2011  |  Design, Off the Shelf
Off the Shelf: Design Finds

The Off the Shelf series explores unique MoMA publications from the Museum Archives.

Whether an attractive cover, unusual paper, or unique layout draws you in, no doubt you have experienced the joys of a beautifully designed book. Along these lines, every year AIGA selects the best in book and book cover design for its 50 Books/50 Covers award. Read more

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April 21, 2011  |  Library and Archives
Bookeye for a Fly-By

Okay, animation isn’t the primary function of the MoMA Library’s new face-up book scanner/copier. But it gives an idea of how it works and image quality. If you think about it, turning books upside-down to copy pages is counterintuitive—and really bad for preserving books. The “Bookeye” is designed to make quality images while minimizing stress on bound materials. There’s a bit of a learning curve, but even tech-shy researchers are using it. Read more

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March 30, 2011  |  Fluxus, Off the Shelf
Off the Shelf: Vintage Fluxus

This is the first post in the new series Off the Shelf, which explores unique MoMA publications from the Museum Archives.

From left: Front Cover: Yoko Ono. Montage incorporating photographic images of Rolf Jährling, Iain Macmillan, Nancy Mee, and Nori Sato. 1988. © 1988 by Yoko Ono. Back Cover: Milan Knizak. Drawing for catalogue cover. 1988. © 1988 by Milan Knizak.

Endpapers: Ben Vautier. Assholes Wallpaper. c. 1974.

During our intern walkthrough of the exhibition Staging Action: Performance in Photography since 1960, we learned about Yoko Ono and George Maciunas‘s Fluxus Wallpaper, which is displayed along the third-floor hallway at the entrance to Staging Action and Pictures by Women: A History of Modern Photography. Read more

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March 7, 2011  |  Library and Archives, Viewpoints
Smelling the Books

Rachael Morrison. Photograph by Michael Schmelling

Having a job as Senior Library Assistant at The Museum of Modern Art Library has been a big influence on my artistic practice. I use the library for research and inspiration, and as a site of investigation. In early 2010, I began the performance “Smelling the Books“, which consists of me smelling every book in the MoMA Library collection. This performance was recently highlighted in New York Magazine as one of the many reasons to love New York. Read more

The Ad Reinhardt You Never Knew

Ad Reinhardt. Walt Nettie Walt Nettie Walt Nettie Merry Xmas Happy New Year 55! Best Wishes. Postcard, 1954. Courtesy Anna Reinhardt.

At the MoMA Library we recently unearthed an intriguing box of ephemera by artist Ad Reinhardt (1913-1967). The material was gifted to the Library by Walter and Nettie Wittman, who were friends of the artist. The letters, photographs, tear sheets, and some original commercial illustrations form a vignette of the artist’s professional and personal life, glimpsed from the perspective of Mr. Wittman, a lawyer residing in New Jersey.

Reinhardt and Walter Wittman met as students at Columbia University. We get a taste of their initial friendship with a 1931 notebook page documenting Reinhardt’s translation efforts in freshman German class (“In paradise what have I to do win?”) Read more