When MoMA Associate Director Kathy Halbreich invited me to observe the inner workings of the Museum and share my observations and critiques with both curators and administrators, I thought it was very important for MoMA to take a look at its interchange with artists—how the Museum is perceived by artists, and also its function and role within the artistic community. After several months of discussion with curatorial and administrative staff, I articulated some ideas for how MoMA might become a more nimble institution, one less constrained by the canonical history it had contributed to shaping. For example, I thought that the Museum needed to expand its entry point for young, local artists. I also suggested showing art in some of the building’s interstitial spaces—this would allow for extra display space, I thought, and also help MoMA to compress the long lead time required by large institutions to realize an exhibition. Read more
TAG: KLAUS BIESENBACH
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