In conjunction with Scorsese Collects, an exhibition of selections from the Scorsese Poster Collection, MoMA’s Department of Film has organized Scorsese Screens, featuring films represented in the poster exhibition along with some of the Scorsese titles they influenced. Read more
Posts tagged ‘film’
Long before The Museum of Modern Art Department of Film was so named, it was called the Film Library. The entity to be known as the Film Library was officially announced on June 27, 1935, and on July 2 The Museum of Modern Art Film Library Corporation was formalized with documents signed by trustees A. Conger Goodyear, John Hay Whitney, and Nelson A. Rockefeller. Read more
A sense of place pervades the work of British artist Shezad Dawood, but we’re not talking about your picture-postcard nostalgia. Dawood’s first feature film, Piercing Brightness, is at the surface a stylized science-fiction tale, but it could equally be read as a public artwork of sorts. Read more
The discovery of new artists and the rediscovery of established ones are key components of curatorial work. An exhilarating part of curatorial work is the ability to be something of a cultural archeologist and bring to the fore an artist whose work has been consigned to the past due to changing critical taste, shifts in technology, and the demands of motion picture economics. As a longtime Fox Films contract director, Hamilton MacFadden (American, 1901–1977) is indeed worthy of thoughtful rediscovery. Read more
At its core, New Directors/New Films celebrates the unexpected and cutting-edge in movie making, and the 16 short films in this year’s festival offer plenty of excitement about the future of the medium.
A notable amount of these short films experiment with modes of storytelling, at times eschewing dialogue-driven narratives altogether. Read more
I’ve recently discovered a sassy feature that has been in the MoMA collection for more than 40 years. Don’t Bet on Women, a drawing-room comedy produced by the Fox Film Corp. in 1931, encompasses all of the risqué behaviors, modes of dress, suggestive situations, and freewheeling alcohol consumption that the Motion Picture Production Code hoped to curtail. Read more
The selections in this year’s Documentary Fortnight: MoMA’s International Festival of Nonfiction Film and Media (February 13 through 27) cast an intriguing look at life using a range of storytelling approaches—poetic, hybrid, observational, and dramatic. Many of these films, which center, at their core, on stories of human resourcefulness, are haunted by the concerns of our age: environmental disasters, wars, austere immigration and economic policies, urban and rural overdevelopment, and the repetition and ellipses of history. Read more
Alongside Citizenfour, Timbuktu might be the most urgently topical film of the year, but unlike Citizenfour, Timbuktu is not a documentary. This narrative film, the latest by Malian auteur Abderrahmane Sissako, was inspired by a 2012 entry in a local Malian newspaper about a couple being stoned to death for having children out of wedlock. Sissako’s interlocking stories of Timbuktu residents bring texture to tragically frequent headlines chronicling the rise and bloody tactics of foreign jihadists on the African continent. Read more
It’s a dream job: my role in marketing and communications at MoMA is to get the public excited by telling stories about our exhibitions and programs. It’s also a fast-moving and fluid media environment; we need to constantly experiment with new ways of telling those stories, and test new channels for connecting with an audience that has many options for enjoying art and culture. Read more
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