I’ve always associated the American actor Vincent Price (1911–1993) with horror films. His work in Gothic features like House of Wax (1953), The Tingler (1959), and Pit and the Pendulum (1961) seem to align perfectly with his creepy voice and slithering screen persona. And I mean slithering as a compliment, because he brought a lot of skill to acting lecherous. Read more
Posts tagged ‘film’
We are proud to announce the acquisition of Living Architectures, a suite of films by Ila Bêka and Louise Lemoine. These films imaginatively (and often hilariously) explore the daily life of contemporary architecture as it is inhabited and experienced. This acquisition represents the first inroads for the Department of Architecture and Design into the medium of film. Read more
In Pretty, Dead, Jeff Scher plays with all the stuff film noir dreams are made of: the hardboiled private eye and the femme fatale; the revolver, the slouched hat, the alley brawl, and the twisted corpse; sweat, paranoia, fatalism, destiny. All this is to be found among the nearly 4,000 collages and paintings in watercolor and gouache that compose the work. Read more
Five for Friday, written by a variety of MoMA staff members, is our attempt to spotlight some of the compelling, charming, and downright curious works in the Museum’s rich collection.
Tomorrow (and every March 12) is National Alfred Hitchcock Day. Read more
Sometimes a movie makes you laugh out loud even if you’re in room by yourself. You can’t contain your laughter and don’t care who might or might not hear. This is exactly the experience I had recently watching Chicken Run (2000) Read more
The 15th Doc Fortnight festival closes on February 29, 2016, with the world premiere of Adam Khalil and Zack Khalil’s INAATE/SE/ [it shines a certain way. to a certain place./it flies. falls./], the artists’ reflection on and reframing of their own Native American heritage. I recently spoke with the Khalil brothers about the concept and context for their film: Read more
Ernie Gehr is a key figure in postwar American avant-garde filmmaking, best known for such experimental film works as Serene Velocity (1970) and Side/Walk/Shuttle (1991) (both of which are in MoMA’s collection). Gehr’s films dazzle the senses, but they are not mere eye candy; they touch deeper themes of human perception and consciousness Read more
Can a dance number change your life? “I Don’t Care,” with wildly imagined choreography by Jack Cole (1911–1974) for Mitzi Gaynor in The I Don’t Care Girl, changed mine. As a dance critic of 30 years, weaned on Balanchine and Cunningham, I’m here to tell you that once you’ve gone Jack, there’s no going back. Read more
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