I first made a studio visit with Sanja Iveković about ten years ago, when I was invited to organize a large-scale exhibition at the Museum of Contemporary Art in Zagreb, Croatia. She impressed me instantly. I recall thinking, “This is an inspiring artist with whom I will forge a long-lasting relationship.” A feminist, activist, and video pioneer, Iveković came of age in the early 1970s, when artists broke free from mainstream institutional settings, laying the ground for a form of praxis antipodal to official art. Part of the generation known as the Nova Umjetnička Praksa (New Art Practice), she has produced works of cross-cultural resonance that range from conceptual photomontages to video and performance. Last month I visited Iveković again in Zagreb, this time to discuss her first survey exhibition in the U.S., which is scheduled to open at MoMA at the end of 2011. Read more
TAG: FEMINIST ART
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