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MoMA

TAG: EXHIBITION CATALOGUE

Posts tagged ‘exhibition catalogue’
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November 28, 2012  |  Collection & Exhibitions, Publications
Duchamp, Rauschenberg, and Assemblage: A Preview of Fast Forward: Modern Moments 1913 >> 2013
Cover of <em>Fast Forward: Modern Moments 1913&gt;&gt;2013</em>

Cover of Fast Forward: Modern Moments 1913>>2013

Fast Forward: Modern Moments 1913 >> 2013, published to accompany the latest exhibition in The Museum of Modern Art’s ongoing collaboration with the High Museum of Art in Atlanta, details six significant moments in art history since the beginning of the 20th century. Read more

May 3, 2010  |  Henri Cartier-Bresson
At Home Everywhere: The Travels of Henri Cartier-Bresson

Henri Cartier-Bresson. Shanghai. 1948. Gelatin silver print, printed 1971. The Museum of Modern Art. Acquired through the generosity of Robert B. Menschel. © 2010 Henri Cartier-Bresson/Magnum Photos, courtesy Fondation Henri Cartier-Bresson, Paris

I tracked Henri Cartier-Bresson (1908–2004) from England to India to Indonesia and back. He was in England for the coronation of King George VI; he was in India when Gandhi was assassinated; he was in Indonesia as the nation gained independence from the Dutch. He was seemingly everywhere.

I know because it was my job to compile all of Cartier-Bresson’s photo captions, notes, datebooks, and correspondence from his travels, which covered the better part of the 50 years he was actively working as a photographer. I then had to transform this into a comprehensive yet comprehensible chronology that would appear in the catalogue of the exhibition Henri Cartier-Bresson: The Modern Century. Read more

March 24, 2010  |  Marina Abramović, Publications
Listening to Marina Abramović: Rhythm 10

When artist Marina Abramović and curator Klaus Biesenbach first met with the Publications team to discuss the catalogue that would accompany her exhibition at MoMA, Marina knew she wanted to create a book that offered a different kind of reading experience. Hoping to address the eternal challenge of capturing the complexity of live performance on the printed page, she proposed the addition of an audio component, which she felt would allow for a more personal, intimate, and experiential understanding of the work. What you hear in this video is a track from the resulting CD, which comes with the book. Read more