This past year the MoMA Archives processed and opened to the public the full record history of MoMA’s International Council and International Program, a collection so large that it required the work of three staff members to complete it in one year. One benefit of processing a large collection as a team was the opportunity to share our most interesting discoveries with one another. Read more
TAG: ALEXANDER CALDER
Posts tagged ‘Alexander Calder’
You may have heard that in the New York City area we’ve already had our first (and second!) snowfall of the season, and while I’m decidedly not in the “dreaming of a white Christmas” camp, I can appreciate the fleeting beauty of pristine winter scenery. Taking a peek into MoMA’s collection turns up many works befitting the season—some that are arguably better than the real thing, and others that are a reminder of the “joys” of winter weather. Read more
The Off the Shelf series explores unique MoMA publications from the Museum Archives.
April is National Poetry Month! To celebrate the final days we thought we’d look at MoMA poetry books. MoMA has published a number of books of poetry, from the lyrically illustrated and hand-lettered A Partridge in a Pear Tree (1951), by Ben Shahn, to 12 Fables of Aesop (1954), illustrated by Antonio Frasconi and narrated by Glenway Wescott. One of my favorites is Three Young Rats and Other Rhymes, the delightfully illustrated book of 83 nursery rhymes selected by former MoMA curator James Johnson Sweeney and illustrated by Alexander Calder. Read more
Zilvinas Kempinas’s sculptures are magic. Somehow, the air currents created by two industrial-strength fans turn the two loops of videotape in Double O into a living, dancing sculpture, performing tirelessly for hours in MoMA’s Agnes Gund Garden Lobby. Read more
Every year since 1954, we have introduced a new line of holiday cards created by artists and designers from around the world. MoMA’s holiday card program was initiated by the Museum’s Junior Council affiliate group, which was founded five years earlier as a way to “bring together a group of younger people who have…a desire to see the [arts] fostered soundly and liberally.” (The Junior Council subsequently evolved into MoMA’s Contemporary Arts Council.) Read more
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