A-|A+

MoMA

TAG: PUBLICATIONS

Posts in ‘Publications’
Feed
Riot-cover-150x150
December 19, 2013  |  Collection & Exhibitions, Publications
Portrait of an Artist: Isaac Julien: RIOT

Riot cover

Cover of the publication Isaac Julien: RIOT, published by The Museum of Modern Art, New York

Isaac Julien: RIOT is not your typical exhibition catalogue. With most of the writing done by artist and filmmaker Isaac Julien himself, it is more like an illustrated intellectual biography. Read more

Livingwell_cover-150x150
December 11, 2013  |  Collection & Exhibitions, Publications
The Pleasures of Living Well
Cover of <i>Living Well Is the Best Revenge</i>

Cover of Living Well Is the Best Revenge

First published in 1971 and newly reissued by MoMA, Living Well Is the Best Revenge by New Yorker staff writer Calvin Tomkins is the now-classic account of the lives of Gerald and Sara Murphy, two fascinating American expatriates who lived an extraordinary life in France in the 1920s. Read more

Berlin-school-cover-final-150x150
December 6, 2013  |  Film, Publications
Lessons from The Berlin School
Cover of The Berlin School: Films from the Berliner Schule

Cover of The Berlin School: Films from the Berliner Schule

Beginning in the mid-1990s, a loose affiliation of filmmakers, graduates of the German Film and Television Academy in Berlin, began creating films that offered a new, aesthetically-driven form of cinema. Read more

Burchfield_firsthepaticas-150x150
September 26, 2013  |  Publications
Charles Burchfield’s Hepaticas
43_1935_CCCR

Charles Burchfield. The First Hepaticas. 1917–18. Watercolor, gouache, and pencil on paper. 21 1/2 x 27 1/2″ (54.6 x 69.8 cm). The Museum of Modern Art, New York. Gift of Abby Aldrich

Artist Charles E. Burchfield is known for his mystical and visionary interpretations of American nature. His paintings of natural scenes and landscapes are often florid and psychedelic—the colors richer and deeper, light more radiant and intense, and always with florid texture that seems to radiate on forever. His paintings are nearly fantastical, but seem to speak to something beyond a pure fantasy realm—it is as if he is communicating his sense of an innate, organic technology at work in the natural world.

The First Hepaticas, a 1917–18 painting by Burchfield, is currently on display as part of the American Modern: Hopper to O’Keeffe exhibition. Burchfield completed The First Hepaticas in the location where he created most of his early works, his childhood home in the city of Salem, Ohio, where he lived from the ages of five to 28. It was there that he experienced what he later deemed his “Golden Year,” 1917, because of a prolific, inspired output.

Hepaticas are a wildflower found in most Northeastern states in America. Their appearance at the end of winter is taken to signal the coming of spring, as they are often one of the first flora to sprout amongst the carpet of brush and fallen leaves left from the cold seasons.

Here, Burchfield captures this symbolic moment. Most of The First Hepaticas is a gloomy landscape of drab, brown leafless trees, some with hollows like gaping mouths. In the bottom right corner you see a small grouping of white flowers haloed by light. The flowers are suggestive of life and optimism in the morass of gloom and deadness. They are harbingers of regeneration, and perhaps Burchfield believes we can learn from nature in this respect.

Cover of the publication American Modern: Hopper to O’Keeffe, published by The Museum of Modern Art

Cover of the publication American Modern: Hopper to O’Keeffe, published by The Museum of Modern Art


Several of Burchfield’s early paintings (spanning the years 1916–20) are included in the show and in the exhibition catalogue. The catalogue also includes an essay by MoMA Drawings curator Esther Adler, “The Problem of Our American Collection: MoMA Collects at Home” exploring the museum’s beginnings, drawing on numerous quotations from Alfred H. Barr Jr., founding director of MoMA. The essay provides much insight into the ideas that founded the institution, and the roles figures like Burchfield and his contemporaries played in the shaping of its collection.

The exhibition catalogue is available at the MoMA online store and is also available as a fixed-format e-book. Download a free sample here.

American Modern: Hopper to O’Keeffe is on view now until January 26, 2014, in The Michael H. Dunn Gallery on the second floor.

Klee_spread-150x150
September 19, 2013  |  Artists, Publications
Rediscovering The Prints of Paul Klee
<i>The Prints of Paul Klee</i>

The Prints of Paul Klee

In 1947, The Museum of Modern Art published a deluxe portfolio of The Prints of Paul Klee, a luxurious green ribbon-bound box encasing 40 individual prints of Paul Klee’s etchings and lithographs, and a booklet by James Thrall Soby, then Chairman of the Museum’s Department of Painting and Sculpture. Read more

848_a2_pollock_one_number_31_1950-150x150
September 11, 2013  |  Publications
Considering One, Once More

If you’ve been following the Jackson Pollock Conservation Project on Inside/Out, you know that Jackson Pollock’s monumental painting One: Number 31, 1950 underwent some changes in our Department of Conservation this past spring after conservators discovered sections of overpaint on its surface, vestiges of a restoration campaign from the 1960s. You can follow the entire process here.

7.1968

Jackson Pollock. One: Number 31, 1950. The Museum of Modern Art, New York. Sidney and Harriet Janis Collection Fund (by exchange). © 2013 Pollock-Krasner Foundation/Artists Rights Society (ARS), New York

848_A2_Pollock_One_Number_31_1950

Cover of the publication Pollock: One: Number 31, 1950, published by The Museum of Modern Art

The newest book in our One on One Series, Pollock: One: Number 31, 1950, also examines the history of this specific painting, but in an entirely different way. Author Charles Stuckey’s essay begins its investigation before the painting’s inception and follows it to the present day, considering its legacy and influence, which is visible in numerous contemporary artworks included in the book. In the late 1940s, Pollock began experimenting with a new method of painting, “drip painting” as it came to be known, where he would stand above a vast unframed piece of canvas and render kinetically: flinging, flicking, and, of course, dripping colors onto the canvas with various implements.

Pollock’s method eschewed the conventional notions of painting of the time, opting for raw, unstretched canvas and housepaint over prepared canvas and traditional oils, and darting around the floor of his barn studio rather than working quietly with a palette and easel. One: Number 31, 1950 is a masterful example of this signature style, a monumental work displaying Pollock’s energy and dexterity.

Did you know Jackson Pollock worked as a janitor at the Guggenheim Museum? Or that One: Number 31, 1950 was actually painted after Number 32, 1950 and before Number 30 (now called Autumn Rhythm) and Number 27, 1950?

Drawing from period magazine articles and quotes by Pollock, Lee Krasner, critics, and friends, Stuckey offers a narrative trajectory for the famed painting, following One: Number 31, 1950 from its premiere exhibition, to a stint in an apartment on Central Park West, to its final place in the collection of The Museum of Modern Art.

For more of Stuckey’s essay, download a preview of Pollock: One: Number 31, 1950 from our website.

Yfa_cover-e1376489000939-150x138
Introducing Young Frank, Architect
Cover of <i>Young Frank, Architect</i>

Cover of Young Frank, Architect, published by The Museum of Modern Art

Young Frank, Architect, MoMA’s first storybook for kids ages three to eight, follows the adventures of Young Frank, a resourceful young architect who lives in New York City with his grandfather, Old Frank, who is also an architect. Young Frank sees creative possibilities everywhere, and likes to use anything he can get his hands on—macaroni, old boxes, spoons, and sometimes even his dog, Eddie—to creates things like chairs out of toilet paper rolls and twisting skyscrapers made up of his grandfather’s books. But Old Frank is skeptical; he doesn’t think that’s how REAL architects make things.

One day, donning matching bow ties, straw boater hats, and Le Corbusier-inspired glasses, they visit The Museum of Modern Art, where they see the work of renowned architects like Frank Gehry and Frank Lloyd Wright. And they learn that real architects do in fact create wiggly chairs, twisty towers, and even entire cities. Inspired by what they see, Young Frank and Old Frank return home to build structures of every shape and size: “tall ones, fat ones, round ones, and one made from chocolate chip cookies.”

Spread from <i>Young Frank, Architect</i>

Spread from Young Frank, Architect

Spread from <i>Young Frank, Architect</i>

Spread from Young Frank, Architect

Spread from <i>Young Frank, Architect</i>

Spread from Young Frank, Architect

Written by award-winning children’s author and illustrator Frank Viva, a frequent cover artist for The New Yorker whose previous books include Along A Long Road and A Long Way Away, Young Frank, Architect is an inspiration for budding architects as well as a lesson for those who think they’ve seen everything. With its rich color palette of grays, olives, ambers, and cream (it’s printed using nine colors instead of the usual four), it’s a great introduction to MoMA’s diverse architecture and design collection, which includes surprising objects like Arthur Young’s helicopter in addition to furniture and architectural models.

Young Frank, Architect is a MoMA Exclusive for the month of August, meaning it’s available only at the MoMA Stores now through its wide release in September. Snag a copy and spend the dog-days of August exploring architecture. What will it inspire you to build?

To see more of Young Frank’s adventure, check out our video book trailer below.

Corbucoverfinal-150x150
June 19, 2013  |  Collection & Exhibitions, Publications
“Corbusian Atlas” Takes Readers in a New Direction
Cover of Le Corbusier: An Atlas of Modern Landscapes published by The Museum of Modern Art

Cover of Le Corbusier: An Atlas of Modern Landscapes published by The Museum of Modern Art

As the leader of the International Style, the Swiss-born, Paris-based architect Le Corbusier had the rare opportunity to build on three continents at a time when airplanes were still a new method of transportation. Read more

Wica_cover-e1369242257943-134x150
Oldenburg’s Burgers: Delicious at All Ages
Cover of What is Contemporary Art? A Guide for Kids by Jacky Klien and Suzy Klein, published by The Museum of Modern Art

Cover of What is Contemporary Art? A Guide for Kids by Jacky Klein and Suzy Klein, published by The Museum of Modern Art

MoMA’s current exhibition, Claes Oldenburg: The Street and The Store, celebrates the early years of artist Claes Oldenburg’s extraordinary career, when he experimented with painting and sculpture by reworking the stuff of every day into larger than life objects made with unexpected materials. Read more

Rso_2-150x150
May 15, 2013  |  Artists, Publications
A Modern Way to Explore Three Great Figures of Mexican Art

Taking monumental frescos to a multitouch screen, MoMA’s eBook Diego Rivera, David Alfaro Siqueiros, and Josè Clemente Orozco offers a fresh exploration of three great figures in the revival of mural painting that brought modern Mexican art to international attention after the Mexican Revolution of 1910–20. Read more