When we started as music curators here three years ago, we were part of a new committee that had been assembled by Eliza Ryan to help refocus MoMA PS1′s weekly summer events into something that more closely reflected the changing tastes and demographics of both the museum and New York City/Brooklyn.
Our team strove to uphold the tradition of dance music that was already a major part of these legendary six-hour Saturdays celebrations. But dance music has morphed into something new and different; the technology is different, the influences are different, and the kids are different. There can be room for hip-hop, UK garage, New Orleans bounce, techno, disco, and an increasing number of live acts that embrace both DJ culture and a DIY spirit.
The group did not initially debate about changing the venue or overhauling the structure of the day. That would remain the same as it ever was. (We did upgrade the sound dramatically; shout out to Jim Toth.)
The focus is far more about assembling lineups with musicians, DJs, and live bands who might never typically share a bill. It is about bringing artists in from beyond the five boroughs and reaching around the globe. The first season in 2010 saw us booking flights from Spain, the Netherlands, and Africa. This was exciting—we were definitely onto something unique, and watching the ecstatic crowds embrace the transitions and transformations of the day was incredible.
What started as six semi-familiar peers in a museum conference room, scrambling for a cohesive lineup at the very last minute, has by now turned into a close-knit group of friends. (Another shout out to newest member, MoMA PS1′s Imogene Strauss.) Given time, we seem to have developed a uniquely successful way to combine and complement diverse tastes into what looks to be the most exciting summer season yet.
This diversity is no better demonstrated than by the inaugural Warm Up 2012 event, this Saturday, July 7. The lineup runs a generational gamut, starting with a DJ set by Arca, the young Venezuelan producer responsible for contributing an epic four track EP of abstract dance production to the UNO label’s free digital-release series. Toronto’s TRST, a young duo riding a new dark wave of electronic music, mark the first live performance of the season and provide a compelling reason to arrive in head-to-toe black summer regalia.
Scheduled to perform at last year’s Warm Up but canceled due to the Hurricane Irene pandemonium, Nguzunguzu will make midday bounce with their brand of sun-baked Los Angeles bass music. Light Asylum, the NYC-based duo of Shannon Funchess and Bruno Coviello, have been on the road for the better part of the year supporting their self-titled debut album. The frenetic energy of Funchess in a live setting never fails to set the audience in motion; we’re stoked to have them back home, if even for a fleeting moment before they continue their electro-fied conquest around the world.
Legendary house DJ and producer Todd Terry is a true NYC institution. Terry’s magical production touch launched an endless stream of international dance-floor hits and remixes throughout the late 1980s and 1990s. Nothing feels like a more natural fit on the first day of Warm Up than a two-hour set of classic house music from Todd Terry.
So grab your tickets in advance. That’s right, this is the first year that Warm Up tickets are being offered ahead of time. We’re stoked to see you at the first of many ecstatic events at MoMA PS1 this summer.
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Walking down Washington Avenue in Brooklyn’s Crown Heights, I frequently pass a handsome brick building with the telltale green lanterns of a former police precinct headquarters. Regal, imposing, and even a little bit spooky, the 80th Precinct Building is one of the prominent landmarks of my pedestrian and neighborhood life. Read more
Clifford Owens needed help. Since May he has been in residence at MoMA PS1 where has been preparing for his fall exhibition Anthology. Owens has been interpreting and carrying out performance scores written by African-American artists. While most scores are written instructions for actions, Saya Woolfalk’s contribution is a graphical score that resembles a drawing complete with costumed characters and stick figures interacting with one another. Read more
The five multidisciplinary teams working on projects for the exhibition Foreclosed: Rehousing the American Dream have refined their project titles and models based on feedback from last week’s group critique at MoMA PS1. Here they share how their projects have evolved over the past week. Read more
Each year, MoMA renews its commitment to experimental architecture and architectural display with a full-scale installation of a project chosen from a competition among virtually untried architects. In the galleries of the Museum, architecture collection masterworks and temporary exhibitions of computer- and hand-drawn architectural renderings, models, photographs, and films are regularly shown. But each year the outdoor spaces of MoMA PS1 provide a unique temporary outdoor gallery where emerging talents can turn projects and drawings into spaces and palpable experiences. Read more