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CATEGORY: THERE WILL NEVER BE SILENCE: SCORING JOHN CAGE'S 4'33"

Posts in ‘There Will Never Be Silence: Scoring John Cage's 4'33"’
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“Is This a Social Experiment?” Performing John Cage
Serra Sabuncuoglu and Robert Barry participate in Performing John Cage, The Museum of Modern Art, February 18, 2014. Photo by Sarah Kennedy

Serra Sabuncuoglu and Robert Barry participate in Performing John Cage, The Museum of Modern Art, February 18, 2014. Photo by Sarah Kennedy

Twice daily, from February 7 to 20, MoMA staff and invited artists performed John Cage’s score 4’33″ in an area just outside the exhibition There Will Never Be Silence: Scoring John Cage’s 4’33″. Over the course of those two weeks, 28 renditions of 4’33″ were performed by 20 staff members and eight guest artists. Read more

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Constructed Situations: Communicating the Influence of John Cage

Through examining four pieces in The Museum of Modern Art’s collection, one can better understand how John Cage’s embrace of indeterminacy can be traced in the period following 4’33″ (1952) and in more recent years, and how these later works play with the concepts of chance and the ephemeral in different ways. Read more

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The Poetry of Silence: Jackson Mac Low’s Drawing-Asymmetry

Jackson Mac Low. Drawing-Asymmetry #5. 1961. Ink and colored ink on paper, 8 9/16 x 11 7/8″ (21.7 x 30.2 cm). The Museum of Modern Art, New York. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. © 2014 The Estate of Jackson Mac Low

Jackson Mac Low. Drawing-Asymmetry #5. 1961. Ink and colored ink on paper, 8 9/16 x 11 7/8″ (21.7 x 30.2 cm). The Museum of Modern Art, New York. The Gilbert and Lila Silverman Fluxus Collection Gift, 2008. © 2014 The Estate of Jackson Mac Low


If you visit MoMA’s exhibition There Will Never Be Silence: Scoring John Cage’s 4’33″, you will encounter a suite of enigmatic drawings by Fluxus-affiliated poet Jackson Mac Low, comprising swirling letters and seemingly nonsensical combinations of words. Although they seem like meaningless scribbles, the words are actually legible and meant to be read aloud. Read more

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Composing Silence: John Cage and Black Mountain College
Installation view of <i>There Will Never Be Silence: Scoring John Cage’s 4’33"</i>, The Museum of Modern Art, New York, October 12, 2013–June 22, 2014

Installation view of There Will Never Be Silence: Scoring John Cage’s 4’33″, The Museum of Modern Art, New York, October 12, 2013–June 22, 2014

John Cage first visited Black Mountain College, in Asheville, North Carolina, in April 1948, while on his way to the West Coast with choreographer Merce Cunningham. Though he only stayed in Asheville for a few days—premiering his composition Sonatas and Interludes—the visit proved formative. Read more

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Reading John Cage
Installation view of There Will Never Be Silence: Scoring John Cage's 4'33", The Museum of Modern Art, New York, October 12, 2013–June 22, 2014

Installation view of There Will Never Be Silence: Scoring John Cage’s 4’33″, The Museum of Modern Art, New York, October 12, 2013–June 22, 2014

Though the exhibition There Will Never Be Silence: Scoring John Cage’s 4′33" primarily draws upon works from MoMA’s collection, with a few key outside loans, the voice of John Cage himself was instrumental in guiding the selection of artists, and, in some cases, the specific works on view. Read more

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Silence Is Not What It Used to Be

In an era when no cell phones or other digital devices existed, silence was a more common facet of everyday life. Perhaps attention spans were longer, distractions fewer, and maybe the pace of world was slower. It’s nice to be romantic about a period before communication was measured in 140 characters, when the simple act of writing a letter was a considered an opportunity to put one’s thoughts into words, often by hand, in ink on paper. Read more