For many Americans, Federico Fellini (1920–1993) is the very definition of foreign filmmaker. Read more
Federico Fellini’s I Vitelloni (The Young and the Passionate)
Fred Zinnemann’s High Noon
Fred Zinnemann (1907–1997) fits comfortably into a group with such directors as Rouben Mamoulian (Applause), Lewis Milestone (All Quiet on the Western Front) Read more
Kenji Mizoguchi’s The Life of Oharu
Samuel Fuller’s The Steel Helmet
After many years of ambivalence, I have decided to like Sam Fuller (1911–1997). Read more
Charles Chaplin’s Limelight
If Charles Chaplin‘s Modern Times is a poignantly graceful valediction to the silent cinema, Read more
Max Ophuls’s Le Plaisir
Le Plaisir, like Charles Chaplin’s The Circus, has suffered neglect over the years because it happens to be sandwiched in between two of its director’s most famous films. Read more
Jean Renoir’s The River
These notes accompany the screenings of Jean Renoir’s The River on April 11, 12, and 13 in Theater 3.
The River is the eighth Jean Renoir film I have shown in this series—more than any other director. Read more
Joseph Losey’s The Lawless
New Directors/New Films: All in a Good Year’s Work
New Directors/New Films 2012 opens on March 21 with the New York premiere of Nadine Labaki’s Where Do We Go Now?, and continues through April 1 with screenings of 28 more feature films from around the world. Read more
















