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CATEGORY: COLLECTION & EXHIBITIONS

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January 30, 2014  |  Collection & Exhibitions
New in the Galleries: The Russian Avant-Garde

A view of Russian avant-garde works in MoMA's fifth-floor Painting and Sculpture Galleries Installation view of the fifth-floor Alfred H. Barr Painting and Sculpture Galleries, The Museum of Modern Art, summer 2013. Pictured are works by from left to right Kazimir Malevich, [at far left], El Lissitzky, Vasily Ermilov, and Aleksandr Rodchenko. Photo: John Wronn]

MoMA’s collection galleries are always changing. When the Artist’s Choice: Trisha Donnelly exhibition closed this past summer in one of the fifth-floor galleries, the Department of Painting and Sculpture had a chance to use that space to conceive a new installation of Russian art from the Museum’s collection. Read more

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January 29, 2014  |  Current Exhibitions
Ileana Sonnabend: Ambassador for the New
Andy Warhol. Ileana Sonnabend

Andy Warhol (American, 1928–1987). Ileana Sonnabend. 1973. Acrylic and silkscreen ink on canvas, two panels, 40 x 80″ (101.6 x 203.2 cm). The Sonnabend Collection. © 2013 Andy Warhol Foundation for the Visual Arts/Artists Rights Society (ARS), New York

The important role played by women in 20th-century art history remains a fertile field of study. Many historians, curators, and critics have focused their attention on great artists—Frida Kahlo, Louise Bourgeois, Eva Hesse, for example—and on countless others who are lesser known but also fascinating. Read more

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Diving into Rauschenberg’s Canyon

Cover of Raushenberg: Canyon by Leah Dickerman, published by The Museum of Modern Art

Cover of Raushenberg: Canyon by Leah Dickerman, published by The Museum of Modern Art

As recounted in curator Leah Dickerman’s new book, Rauschenberg: Canyon , in 1959 Robert Rauschenberg received a call from a friend, the artist Sari Dienes, who wanted to offer him a taxidermied bald eagle she had fished out from the junk heap of a recently deceased neighbor, one of the last of Teddy Roosevelt’s Rough Riders. Rauschenberg had recently become famous for incorporating all types of found materials into his art, so this kind of offer from friends was not unusual. He didn’t hesitate to turn down objects that weren’t quite right, but in this case, he said yes at once.

Rauschenberg affixed the bald eagle onto a canvas that would eventually become Canyon (1959), one in a series of radically experimental works he called Combines, which mixed paint and other art materials with things found in daily life. In Canyon, a seemingly incongruous variety of objects surround the eagle, including a photograph of Rauschenberg’s son, Christopher; a postcard of the Statue of Liberty; a man’s white shirt, cut and opened up; a crumpled tube of paint; fragments of printed words; and an industrial metal drum.

Rauschenberg: Canyon, the latest volume in the MoMA One on One series, sheds light on the genesis of this startling and enigmatic work by tracing the artist’s education, influences, and travels through Italy, Morocco, and Spain. Rauschenberg first started using found materials while attending Black Mountain College near Asheville, North Carolina, where every student was required to pitch in with community labor. Rauschenberg volunteered for garbage collection, and ended up incorporating the objects he found in his classmates’ trash into his art. The hybrid creations he began producing in the mid-1950 with recognizable, everyday items offered a defiant counterpoint to the quintessential American style of Abstract Expressionism that prevailed at the time. As he wrote in his earliest statement on the Combines, in 1956: “I consider the text of a news­paper, the detail of a photograph, the stitch in a baseball, and the filament in a light bulb as fundamental to the painting as brush stroke or enamel drip of paint. In the end, what one sees as my work is what I choose to make with no guaran­tee of enlightenment, humor, beauty or art.”


Canyon, currently on view at MoMA in Ileana Sonnabend: Ambassador for the New, had been in gallerist Ileana Sonnabend’s personal collection since she purchased it from the artist the year it was made. Sonnabend was one of Rauschenberg’s lifelong champions, and her support played a significant role in his becoming the first American artist to be awarded the grand prize at the Venice Biennale, in 1964. Following her death in 2007, her heirs entered a curious debate with the IRS regarding the work. The Migratory Bird Treaty Act of 1918 and the Bald Eagle Protection Act of 1940 made it illegal to buy, sell, barter, or possess a bald eagle in the U.S. Canyon was allowed to remain in Sonnabend’s collection because Rauschenberg had provided a notarized statement saying the bird had been stuffed by one of Roosevelt’s Rough Riders before the laws’ passage, but because it could not be sold, the family’s appraisers had valued it at zero. The IRS disagreed, ruling that it was worth far more, and assessed an estate tax and penalties on the heirs. The resolution they reached allowed the family to donate the work to a U.S. institution in exchange for dropping the tax claim. Thus, in 2012, Canyon was generously donated to The Museum of Modern Art, where it joins five other Combines, to provide an in-depth representation of this key aspect of Rauschenberg’s career.

To learn more, download a free preview of Rauschenberg: Canyon by Leah Dickerman.

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January 22, 2014  |  Artists, Collection & Exhibitions
Off the Record: Mike Kelley’s Extracurricular Activities
Installation view of Mike Kelley: Extracurricular Activity Projective Reconstruction #1 (A Domestic Scene)

Installation view of Mike Kelley: Extracurricular Activity Projective Reconstruction #1 (A Domestic Scene), The Museum of Modern Art, October 13, 2013–February 2, 2014

In honor of Mike Kelley’s exceptional career and legacy, Extracurricular Activity Projective Reconstruction #1 (A Domestic Scene), a seminal work in his complex videography, is on view both at MoMA PS1—as part of the artist’s posthumous retrospective—and in MoMA’s second-floor Projects Gallery.

Read more

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January 16, 2014  |  Collection & Exhibitions, Design
Mine Kafon: Design Demines
Massoud Hassani. Mine Kafon wind-powered deminer. 2011. Bamboo and biodegradable plastics, 87 x 87 x 87" (221 x 221 x 221 cm). Gift of The Contemporary Arts Council of The Museum of Modern Art. Photo by Rene van der Hulst

Massoud Hassani. Mine Kafon wind-powered deminer. 2011. Bamboo and biodegradable plastics, 87 x 87 x 87″ (221 x 221 x 221 cm). Gift of The Contemporary Arts Council of The Museum of Modern Art. Photo by Rene van der Hulst

Massoud Hassani’s wind-powered land minesweeper, the Mine Kafon, was inspired by the handmade toys from his childhood growing up in the desert north of Kabul, Afghanistan. As a boy, Hassani and his brother would fashion small paper toys to roll in the wind, racing them across the local fields. Read more

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January 15, 2014  |  Current Exhibitions, Publications
Paying Tribute: Ileana Sonnabend: Ambassador for the New
Cover of the publication Ileana Sonnabend: Ambassador For the New, published by The Museum of Modern Art, New York

Cover of Ileana Sonnabend: Ambassador For the New, published by The Museum of Modern Art, New York

Ileana Sonnabend: Ambassador for the New is the catalogue published to accompany the exhibition of the same name currently on view at MoMA. Both are a tribute to art dealer and gallerist Ileana Sonnabend (1914–2007) for her taste and enduring influence. Read more

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January 10, 2014  |  Do You Know Your MoMA?
Do You Know Your MoMA? 1/10/14

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How well do you know your MoMA? If you think you can identify the artist and title of each of these works from MoMA’s collection—all currently on view throughout the Museum—please submit your answers by leaving a comment on this post. We’ll provide the answers next month (on Friday, February 7). Read more

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January 9, 2014  |  Artists, Collection & Exhibitions
Drawing Homage to León Ferrari (1920–2013)
Installation view, León Ferrari homage, The Museum of Modern Art, 2013

Installation view, León Ferrari homage, The Museum of Modern Art, 2013

One of the most relevant figures in 20th-century art, and a paradigm of the communion of art and politics, León Ferrari sadly passed away last July, at age 92. Paying homage to his achievements and extraordinary legacy, a selection of his work, drawn from MoMA’s collection, was recently on view outside the Museum’s second-floor Marron Atrium. Read more

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Composing Silence: John Cage and Black Mountain College
Installation view of <i>There Will Never Be Silence: Scoring John Cage’s 4’33"</i>, The Museum of Modern Art, New York, October 12, 2013–June 22, 2014

Installation view of There Will Never Be Silence: Scoring John Cage’s 4’33″, The Museum of Modern Art, New York, October 12, 2013–June 22, 2014

John Cage first visited Black Mountain College, in Asheville, North Carolina, in April 1948, while on his way to the West Coast with choreographer Merce Cunningham. Though he only stayed in Asheville for a few days—premiering his composition Sonatas and Interludes—the visit proved formative. Read more

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January 2, 2014  |  Collection & Exhibitions
In a Glance: Jorinde Voigt’s Gardens of Pleasure Print Series
Jorinde Voigt. 3 Views GREEN. Games of Love; "Autumn flowers", "Face to face"; from the album "Gardens of Pleasure," China 17th century. Countdown/ Countup in Sek.; Himmelsrichtung N-S; Windrichtung/ Windstärke; Deklination Rotationsrichtung/ Umdrehungen pro Tag. 2011. The Museum of Modern Art, New York. Committee on Prints and Illustrated Books Fund

Jorinde Voigt. 3 Views GREEN. Games of Love; “Autumn flowers”, “Face to face”; from the album “Gardens of Pleasure,” China 17th century. Countdown/ Countup in Sek.; Himmelsrichtung N-S; Windrichtung/ Windstärke; Deklination Rotationsrichtung/ Umdrehungen pro Tag. 2011. The Museum of Modern Art, New York. Committee on Prints and Illustrated Books Fund

One might be surprised to learn that the source material for Jorinde Voigt’s 2011 Gardens of Pleasure—a series of five lithographs with ink additions published by Helga Maria Klosterfelde Edition—is in fact 17th-century Chinese erotic art. Read more