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CATEGORY: CONSERVATION

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January 8, 2013  |  Artists, Conservation, Jackson Pollock Project
MoMA’s Jackson Pollock Conservation Project: Looking Closely at One: Number 31, 1950
Before Treatment photograph of One: Number 31, 1950

One: Number 31, 1950 before treatment

It’s a good time to be studying and working on Jackson Pollock’s paintings. With projects also underway at the Seattle Art Museum and  The J. Paul Getty Museum Read more

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Le Corbusier Kitchen Conservation: Dismantle, Reconstruct, and Conserve
caption TK

Unité d’Habitation, Boulevard Michelet, Marseilles, France

In the fall of 2011, we traveled to a leafy suburb of Munich, Germany, to examine a kitchen that the Department of Architecture and Design hoped to purchase. When we arrived, there in the garage of a collector we found an assembled kitchen from Unité d’Habitation, Le Corbusier’s famous apartment building in Marseille. Read more

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MoMA’s Jackson Pollock Conservation Project—An Ounce of Prevention…

We covered a lot of territory in our last post, documenting Echo’s condition and treating the discolored canvas. Our efforts have produced satisfying results. Read more

Dealing with Wet Contemporary Paintings: Tips for Artists—Introduction

The following tips are suggestions from conservators, but please realize that every painting and circumstance is different, and that these are general guidelines. A conservator may choose very different treatment options from those presented below upon seeing the painting’s condition. Read more

Dealing with Wet Contemporary Paintings: Tips for Artists—Water Damage to Paintings

Watch for water that has collected between the stretcher and the reverse of the painting. If a lot of water has accumulated, tip the painting so that the water can run out and away from the painting (i.e., tip the painting bottom face upwards and the top reverse downwards, so the water runs off the stretcher and not into the canvas). Read more

Dealing with Wet Contemporary Paintings: Tips for Artists—Wet Paintings: Structural Issues

Never remove a wet painting from its stretcher bars. The stretcher bars are keeping the canvas from shrinking. The painting is apt to generate enormous tension in the wet canvas—somewhat less so with salt or brackish water—as the fibers swell with the water. Read more

Dealing with Wet Contemporary Paintings: Tips for Artists—Frames

Dealing with paintings in their frames poses a difficult set of tradeoffs. First remove all backing materials—paper, cardboard, Foam Core Board, or plastics.

Remove paper or cardboard backings from the reverse of the painting. Read more

Dealing with Wet Contemporary Paintings: Tips for Artists—Mold and Paintings

Never wrap a wet painting in plastic, as this will promote mold growth. Also, the surface may be quite fragile and nothing should come in contact with the surface until it has been thoroughly dried and inspected.

Paintings wrapped in plastic should be removed from the plastic to prevent mold growth if they were in a damp environment Read more

Dealing with Wet Contemporary Paintings: Tips for Artists—Health and Safety

First and foremost, be safe. In wet environments, if the power has been restored, be particularly careful with electricity and electrical appliances. Using a plug-in GFCI (Ground Fault Circuit Interrupter) on any electrical appliance you are using is strongly recommended. Read more

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MoMA’s Jackson Pollock Conservation Project, Post 3: Documentation and Treatment

We left off in our last post having explained the research and assessment that precedes any conservation treatment. Using Echo as our object of study, we examined questions that arise after looking closely at a painting. Let’s delve into one such question. Read more