As Peter Emanuel Goldman has graciously informed me, accounts of his death (as Mark Twain said of his own in 1897) have been greatly exaggerated. Read more
Hiroshi Teshigahara (1927–2001) was a latecomer to the movement known as the Japanese New Wave (like his French counterparts, he began as a film critic), preceded by Susumu Hani, Nagisa Oshima, and Shohei Imamura. Read more
These notes accompany a program of films by Ousmane Sembene screening on February 5, 6, and 7 in Theater 3.
Ousmane Sembene (1923–2007) of Senegal is considered “the father of African film,” and the two films in this program are among his earliest works. By the time he came to film, at age 40, he had a checkered past ranging from deep immersion in tribal religion to Communism, and from military service to being a longshoreman in Marseille. Read more
In his seminal study of Alfred Hitchcock, critic Robin Wood focuses on the director’s career-long apprehension that civilization rests precariously on a very thin layer of what we accept as reality, but which covers a foreboding, underlying chaos. Read more
These notes accompany screenings of a program celebrating the New Social Documentary and Television on January 22, 23, and 24 in Theater 3.
Documentary films had been there at the very beginning of cinema. Even before it occurred to filmmakers that they might create their own images, the example of still photography had paved the way for capturing the real world. Read more
It may seem a little peculiar to include Gavin Lambert (1924–2005) in this series, but he was an important figure in film history and scholarship, and his solitary directorial effort, Another Sky, is an interesting example Read more