As far as films go, it’s one of those that everyone talks about, but few get around to actually seeing. I’m talking about Andy Warhol’s Empire, his infamous 1964 film that consists of a single, stationary eight-hour view of the Empire State Building at night. Better yet: the film was shot at 24 frames per second and is projected at 16—which means that this epically-long stationary shot of the Empire State is actually seen in slow motion. Though heralded conceptually, it has been repeatedly described as unwatchable. Which is exactly why I wanted to see it. All eight hours of it. Read more
AUTHOR: CAROLINA A. MIRANDA
About Carolina A. Miranda
Carolina A. Miranda is a freelance writer based in New York. She is a regular contributor at WNYC and has published articles in ARTnews, Time and Fast Company. Find her on Twitter at @cmonstah.
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