The five multidisciplinary teams working on projects for the exhibition Foreclosed: Rehousing the American Dream have refined their project titles and models based on feedback from last week’s group critique at MoMA PS1. Here they share how their projects have evolved over the past week. Read more
AUTHOR: BARRY BERGDOLL
Posts by Barry Bergdoll
Each year, MoMA renews its commitment to experimental architecture and architectural display with a full-scale installation of a project chosen from a competition among virtually untried architects. In the galleries of the Museum, architecture collection masterworks and temporary exhibitions of computer- and hand-drawn architectural renderings, models, photographs, and films are regularly shown. But each year the outdoor spaces of MoMA PS1 provide a unique temporary outdoor gallery where emerging talents can turn projects and drawings into spaces and palpable experiences. Read more
The five teams have been working over the past week to incorporate feedback from their public Open Studios presentations at MoMA PS1 on June 18. Starting this week, you will be hearing from each of the teams every week until the next Open Studios on September 17, 2011, at MoMA PS1. Read more
You can’t drive very far in most American cities before you see the effects of the foreclosure crisis. Recent foreclosure statistics reflect a landscape of individual stories of crisis. Collectively, these narratives have influence that extends far beyond those most affected. Read more
The Rising Currents exhibition at MoMA closed on October 11, and as we have worked on the de-installation of the show in the intervening weeks, I have had a chance to reflect on the exhibition and the project as a whole. As I’ve noted here previously, the workshop and exhibition were precedent-setting in many ways—for myself as a curator, for MoMA as an institution, and, in some ways, for the New York architecture and landscape design community. Read more
Rising Currents opened to the public yesterday. One of the premises of the exhibition is the value of creative collaboration, and in that spirit we encourage visitors to respond to the exhibition by posting comments on the project website at the kiosk inside the gallery.
The team leaders participated in a panel discussion moderated by myself and Guy Nordenson on Tuesday evening. We posed several questions to the teams, focusing on the unique format of the workshop phase at P.S.1. Specifically, we asked if the teams gained any valuable insights during the Open Houses, when the public was invited to see work in progress. Read more
We started the installation of the teams’ wall materials and models in the gallery yesterday, with ARO’s team beginning the assembly of their model. We liked the correlation of the unpacking of “Lower Manhattan” from the Manhattan Mini-Storage boxes! Each of the five teams are coming to do on-site installations this week. We’re looking forward to the public opening of the Rising Currents exhibition on March 24.
As we get ready to begin the installation of the MoMA exhibition next week, I wanted to take a step back and offer a visual reflection on a central figure in this exhibition. Our thanks to Architecture Research Office for poetically capturing the essence of Rising Currents. Click on the image to view the video clip. Read more
With a grand finale—attendees filled the room and spilled out into the hall—the five teams presented their final designs to the public at P.S.1 on January 9. As the teams now begin producing materials for the upcoming exhibition at MoMA (and the MoMA team begins preparing the space and the explanatory glue around the project), Rising Currents enters a new phase. Over the next few weeks a number of expert guest bloggers will add their perspectives on an experiment that challenges both the city as we have inherited it and the format of an architectural exhibition in an art museum. The quality of design, innovation, and intense teamwork that has characterized the last two months at P.S.1 has been nothing short of remarkable. The level of interest from city, state, and federal officials has been deeply encouraging and the surge of interest from the public has been spectacular. This week a jury will convene at P.S.1 to pick the finalists for the eleventh annual Young Architects Program (YAP). YAP is an integral part of our department’s programming and while the Rising Currents project is similar in some ways, it is worth noting that it is a true innovation for MoMA and P.S.1, and we believe in some respects, for architecture museums in general. Read more
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