
Embrace. 2011. China/Germany/USA. Directed by Dan Smyer Yu, Pema Tashi. Courtesy of the filmmakers and Trace Foundation
Lens on Tibet, a dedicated look at the cinema of the Tibetan Plateau from 2005 to the present, is a special presentation of MoMA’s ContemporAsian screening series that runs August 21–31. This 12-film selection of recent feature-length documentaries and dramatic narratives celebrates the emergence of the new Tibetan film culture onto the global stage.
The series was organized in collaboration with the New York–based Trace Foundation, which was founded in 1993 to support the continuity, development, and vitality of Tibetan communities, working with people to better their lives and reinforce the uniqueness of Tibetan culture, language, and places. Supporting the growth of an authentic Tibetan film culture is part of the Trace Foundation’s cultural work; this exhibition marks the first showcase of the films and the filmmakers they have supported.
With a majestic mountain landscape at a staggering average elevation of 16,000 feet, covering an area of nearly a million square miles, the Tibetan Plateau is among the grandest plateaus in the world, with mountains, glacier lakes, alpine tundra, and many remarkable geographical features. It is also the home region of the Tibetan people, many of whom live as nomadic herders and subsistence farmers in the remote, beautiful, and severe region. Tibetan Buddhism is the main religion, formed from Buddhism and the ancient Tibetan indigenous beliefs of Bon. The Tibetan Plateau is the ethnocultural region of Tibet; the Tibet Autonomous Region was established in 1965 after the incorporation of Tibet in 1951 by the People’s Republic of China.
All films made in China require approval by the government; Tibetan-made films and films on Tibetan subjects require special approval. Therefore, the emergence of a Tibetan-language and cultural cinema—of feature-length narrative and documentary films—made in the region over the last decade is of special interest and note. An extraordinary group of emerging and more seasoned Tibetan filmmakers from this scene will be present to discuss their films throughout the series, including Dorje Tsering Chenaktsang, Pema Tseden, Sonthar Gyal, Khashem Gyal, and Pema Tashi—and some are in North America for the very first time. Tibetan lamas, scholars, and filmmakers, such as Columbia University Tibetan scholar Robert Barnett; Senior Vice President of Kino Lorber Elizabeth Sheldon; and filmmakers in the exhibition such as Jocelyn Ford, Bari Pearlman and Donagh Coleman will also be present to deepen the discussions about Tibetan films and filmmaking over the next 10 days.

Yartsa Rinpoche (Precious Caterpillar). 2013. China/France. Directed by Dorje Tsering Chenaktsang. Courtesy of the filmmaker and Trace Foundation

Silent Holy Stones. 2005. China. Directed by Pema Tseden. Courtesy of the filmmaker and Trace Foundation
Pema Tseden, a writer and narrative filmmaker, became the first Tibetan to graduate from Beijing Film Academy, in 2005. His dramatic feature film Silent Holy Stones (2005), about a young monk who is distracted from his studies by a television series based on the Chinese Buddhist classic Journey to the West, won China’s most important award for emerging directors in 2006. This film preceded his features The Search (2009) and Old Dog (2011) (which was featured in a weeklong presentation at MoMA in 2013). His films, known for their nuanced complexity and focus on Tibetan people and life, are credited with establishing the beginnings of new Tibetan cinema.

The Sun Beaten Path. 2011. China. Directed by Sonthar Gyal. Courtesy of the filmmaker and Trace Foundation
Sonthar Gyal, who studied with Pema Tseden at Beijing Film Academy, has worked with Tseden as a cinematographer and art director. Gyal’s first feature as director, Sun Beaten Path, based on a true story, recounts the heartbreaking journey of a young man who seeks redemption for causing a tragic, accidental death. In this road movie where very little appears to take place, an old man (who is also a character out of Tibetan mythology) mysteriously reappears and guides the young man during his return to family and home.

Daughters of Wisdom. 2007. USA. Directed by Bari Pearlman. Courtesy of the filmmaker and Trace Foundation

Embrace. 2011. China/Germany/USA. Directed by Dan Smyer Yu, Pema Tashi. Courtesy of the filmmakers and Trace Foundation
Dan Smyer Yu and Pema Tashi’s must-see Embrace (2011) beautifully captures the interconnections between people, Buddhist teachings and the mountainous landscape of the Tibetan plateau. It is incredible to be in the middle of New York City, in a theater at MoMA, and to feel the essence of a place and the presence of its gods and creation stories through the sheer intimacy and physicality of a film.