INSIDE/OUT: A MoMA/MoMA PS1 BLOG
These notes accompany a program of independent animated films screening on December 26, 27, and 28 in Theater 3.
The departure of many animation artists from Disney as a result of labor troubles and a desire for freer expression led to a diffusion of talent and styles in the animation field. Read more
Happy Holidays and Happy New Year! Hope you enjoy the holiday season to the fullest, and we’ll be back on January 2.
If you are in New York City for New Year’s Eve, come to MoMA for a special showing of Christian Marclay’s cinematic tour de force The Clock in its entirety, which is the first opportunity for the public to view all 24 hours of the piece at MoMA. The Clock will go on view at 10:30 a.m. on Monday, December 31, and will run continuously until 5:30 p.m. on January 1. In conjunction with this showing, the Museum’s Cafe 2 restaurant offers a special menu of wines, cheeses, salumi, and desserts on New Year’s Eve from 10:00 p.m. to 1:00 a.m., along with an all-night espresso bar. We hope you will join us!
This is the first post in a new blog series entitled Exhibiting Fluxus, showcasing works from the Gilbert and Lila Silverman Fluxus Collection Gift that are currently on view. Read more
The provenance of a work of art is an important part of the acquisition process. What is a provenance? By definition, the noun provenance—with respect to art and archeological specimens—is a place or source of origin. Read more
History and progress—two seemingly diametrically opposed concepts. Yet, both are expertly realized in Pablo Picasso’s Boy Leading a Horse, one of the masterpieces featured in The William S. Paley Collection: A Taste for Modernism. Read more
These notes accompany a program of animated films from Hollywood screening on December 19, 20, and 21 in Theater 3.
The Disney and Fleischer studios had been the predominant forces in American animation in the 1920s and into the 1930s (when Warner Brothers entered the market). Read more
Sitting in MoMA’s Abby Aldrich Rockefeller Sculpture Garden, Harvey Tulcensky answered my queries, and as he did so, a dragonfly buzzed by and a butterfly landed on his shoulder. These were clearly good signs of the positive conversation to come. Read more
More and more, art historians are turning to science and technology to help solve the mysteries laid in paint by artists throughout the centuries. Chemical analysis of paint chips has been used to explain the discoloration of cadmium yellow in a van Gogh still life. “Emotion recognition” computer software has been applied to the Mona Lisa to try to decipher that ever-inscrutable smile. Read more
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