Sometimes you can palpably feel excitement building for an artist. It might be a rising star from Los Angeles who works in drawing and video, or a Brooklyn-based painter featured in Greater New York 2010 at MoMA PS1 and about to break through. It is less often a woman artist of the New York School, whose presence in MoMA’s collection has heretofore consisted of one drawing, two prints, and a small tabletop sculpture, and who has been dead for sixteen years. Read more
For the publication Modern Women: Women Artists at The Museum of Modern Art, Michelle Elligott, the Museum Archivist, contributed a wonderful essay entitled “Modern Women: A Partial History,” a kind of lexicon comprising historical entries on and capsule biographies of selected noteworthy women throughout the Museum’s history. In this video, she discusses some of these women and their impact both at MoMA and within the museum field in general. Read more
In our last post, we highlighted the larger-than-life lady at the entrance to the Counter Space gallery. Now we’d like to give some background on the music video on the opposite side of the entrance. Juliet and I came across the music video for Robert Rotifer’s “The Frankfurt Kitchen” (2008) early in our research and were thrilled to make contact with the artist, who incidentally will be coming to perform the song at our public program Kitchen Culture on October 28.
Now to Rotifer in his own words… Read more
Ernst Lubitsch (1892–1947) somehow remained true to his own idiosyncratic brand of filmmaking, even though he had what amounted to about a half-dozen separate (but overlapping) careers. Throughout his thirty-some years behind the camera, he developed an increasing sense of sophistication and an assurance that marked him as one of the great directors. Read more
As the first of five exhibitions in the Issues in Contemporary Architecture series, the unprecedented nature of Rising Currents presented a number of firsts, including some novel moments in MoMA’s exhibition-making process: the first time producing an exhibition without a checklist of objects well in advance of opening; the first time exhibition content and exhibition design developed so closely in tandem; and the first time our modest, minimalist model platform held the weight, intellectual and actual, of five whole teams of architects, planners, ecologists, and their well-intentioned installers. (We really put that poor thing to the test, but I think everyone is the better for it). Read more
I find that the process of many design jobs is a journey between two extremes, both of which are usually to be avoided, but if you strike the right balance, you end up in some interesting places. Finding the graphic identity for the exhibition Counter Space: Design and the Modern Kitchen was a classic example. Read more
How well do you know your MoMA? If you think you can identify the artist and title of each of these works—all currently on view in the Museum—please submit your answers by leaving a comment on this post. We’ll provide the answers—along with some information about each work—in two weeks (on Friday, October 8), along with the next Do You Know Your MoMA? challenge.
ANSWERS TO THE SEPTEMBER 10 CHALLENGE: Read more
MoMA’s Education Department prides itself on crafting personal experiences with works of art for our visitors. In exploring new ways to enhance these experiences, we were surprised to find that video has a remarkable ability to help us focus our gaze in a way that is often very difficult to do in the galleries. It might seem like a strange concept—that looking at a work of art on your computer screen would help you to look and think about art more deeply—but this is precisely what we discovered as we developed two online courses over the last year. Read more
If you have been to visit Counter Space here at the Museum, then you have already met this woman. We do not know her name—though we’d welcome any information out there!—but her image, blown up from floor to ceiling, provided a perfect photo-mural for our title wall. Read more
At one time, climate change could be thought of as a distant threat that could be diffused through prompt collective action. That time is past. Greenhouse gas emissions will not be reduced quickly enough to prevent significant changes to the composition of our atmosphere. Even as we hope for the best, we must prepare for the unpleasant eventualities that scientists expect will arise. Read more