Anna May Wong:
From Laundryman’s Daughter to Hollywood Legend
January 22–25, 2004
This
brief retrospective presents the career of Anna May Wong (1905–1961),
the embodiment of Asian womanhood for a generation of American and
European audiences. From her first starring role in The Toll
of the Sea (1922) to her war-effort propaganda films following
Pearl Harbor, the Los Angeles–born actress bridged two mutually
suspicious cultures. That she succeeded in spite of racial prejudice
is a considerable tribute to her fortitude and talent. Graham Russell
Gao Hodges has written a new biography, Anna May Wong: From
Laundryman’s Daughter to Hollywood Legend (Palgrave-Macmillan),
in which he chronicles Wong’s life and career on four continents
and her efforts to comprehend both her American compatriots and
her Chinese roots. Hodges will introduce several of the programs
and sign copies of his book on January 22, at 7:30 P.M.
Organized by Charles Silver, Associate Curator, Department of Film
and Media. The Department thanks Milestone Films, the UCLA Film and
Television Archive, Universal Pictures, The Library of Congress,
Turner Entertainment Co., and Mimi Brody.

. 1922. USA. Directed
by Chester M. Franklin. Screenplay by Frances Marion. With Anna
May Wong, Kenneth Harlan.
Considered the first Technicolor film, this loose adaptation of Puccini’s
Madama Butterfly provided Wong with her first major role. 48 min.
Followed by clips from The Thief of Bagdad (1924) and Old
San Francisco (1927). Silent, with piano accompaniment by Ben Model. Program approx.
65 min.
. 1937. USA. Directed by Ray Rowland. With Anna May
Wong. In Technicolor. 20 min.
. 1931. USA. Directed by Lloyd Corrigan. Screenplay
by Sidney Buchman, based on a novel by Sax Rohmer. With Anna May
Wong, Warner Oland, Sessue Hayakawa. A mysterious potboiler set in
Limehouse, London’s original Chinatown. 72 min.
. 1936. USA. 8 min.
. 1932. USA. Directed by Josef von Sternberg. Screenplay
by Jules Furthman. With Marlene Dietrich, Clive Brook, Anna May
Wong. Wong plays sidekick to Dietrich (as the notorious Shanghai
Lily) in von Sternberg’s romantic journey through the Chinese
Revolution. 80 min.
. 1929. Great Britain. Directed
by E. A. Dupont. Screenplay by Arnold Bennett. With Anna May Wong,
Cyril Ritchard, Charles Laughton.
In this late silent classic, Wong plays a London dishwasher who becomes
a star. Introduced by biographer Graham Russell Gao Hodges. Restored
print courtesy Milestone Film & Video, New York. Silent, with
piano accompaniment by Stuart Oderman. 108 min.
. 1938. USA. Directed by
Robert Florey. Screenplay by William R. Lipman, Horace McCoy. With
Anna May Wong, Akim Tamiroff,
Gail Patrick. Playing a gangster’s mistress, Wong recreates
her decade-old stage success. 70 min.
. 1938. USA. Directed by Robert Florey. Screenplay
by Gladys Unger, Garnett Weston. With Anna May Wong, Charles Bickford,
Anthony Quinn. A young woman travels to Central America to catch
her father’s killer. 63 min.
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