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A Short History of Polish Animation
October 23–November 2, 2003

For more than fifty years, Polish filmmakers have drawn on their nation’s rich tradition of graphic art, avant-garde theater, and puppetry to create some of the most technically sophisticated and darkly satiric animation in the world. This survey of Poland’s finest hand-drawn and computer animation—the most comprehensive ever assembled—reveals a breathtaking range of forms and techniques, from Jan Lenica and Walerian Borowczyk’s politically subversive surrealist collages of the late 1950s and early 1960s to Tomek Bagiński’s computer-generated short Cathedral, nominated for an Oscar in 2002.

Organized by Joshua Siegel, Assistant Curator, Department of Film and Media, and Marcin Giżycki, author of Nie tylko Disney (Disney Was Not the Only One). Presented in association with the Polish Cultural Institute in New York. Special thanks to Monika Fabijańska and Pawel Potoroczyn of the Polish Cultural Institute; Mateusz Werner, Adam Mickiewicz Institute (Warsaw); and Film Polski (Warsaw).

Program 1: The Golden Age
A tour of Polish animated film from the 1960s to the mid-1980s, featuring Lenica’s and Oraczewska’s gallows humor; experiments in paint, plaster, and rubber stamping by Giersz, Dumała, and Antonisz; and a split-screen narrative by Oscar-winning artist Rybczyński, who introduces the screening on October 23.
Bankiet (The Banquet). 1974. Zofia Oraczewska. 8 min.; Czar Kółek (The Charm of the Two Wheels). 1966. Kazimierz Urbański. 7 min.; Fotel (A Chair). 1963. Daniel Szczechura. 6 min.; Labirynt (Labyrinth). 1962. Jan Lenica. 14 min.; Koń (Horse).1967. Witold Giersz. 6 min.; Refleksy (Reflections). 1979. Jerzy Kucia. 7 min.; Nowa Książka (The New Book). 1975. Zbigniew Rybczyński. 10 min.; Słońce—Film Bez Kamery (The Sun: A Non-Camera Film). 1977. Julian Antonisz. 4 min.; Łagodna (Gentle Spirit). 1985. Piotr Dumała. 12 min.
Program 74 min.
Thursday, October 23, 8:15; Friday, October 31, 2:00

Program 2: Jan Lenica and Walerian Borowczyk
A rich survey of Lenica’s films, from his surrealist collages with Borowczyk to his last film, The Island of R.O., and a documentary on its production by Giżycki.
Dom (House). 1958. Jan Lenica, Walerian Borowczyk. 12 min.; Sztandar Młodych (The Banner of Youth). 1958. Lenica, Borowczyk. 3 min.; Szkoła (The School). 1959. Borowczyk. 8 min.; Byl sobie raz... (Once Upon a Time). 1957. Lenica, Borowczyk. 9 min. Italy 61. 1961. Lenica, Wojciech Zamecznik. 3 min.; Les Astronautes. 1959. Borowczyk, Chris Marker. 10 min.; Nowy Janko Muzykant (The New Janko Musician). 1960. Lenica. 10 min.; Die Nashorner (The Rhinoceros). 1963. Lenica. 11 min.; Wyspa R.O. (The Island of R.O.). 2001. Lenica. 33 min.; Wyspa Jana Lenicy (The Island of Jan Lenica). 1998. Marcin Giżycki. 29 min.
Program 128 min.
Friday, October 24, 4:00; Thursday, October 30, 7:45

Program 3: Early Stirrings, Witold Giersz, and Mirosław Kijowicz
Polish animation was ambitious from the start: Starewicz worked with puppets and stop-motion; Giersz with oil-based paints; Janczak with collage;
and Kijowicz with politically subversive line drawings.
Zmiana Warty (The Changing of the Guard). 1958. Halina Bielińska, Włodzimierz Haupe. 9 min.; Mały Western (Little Western). 1960. Witold Giersz. 5 min.; Oczekiwanie (Awaiting). 1962. Giersz, Ludwik Perski. 9 min.; Czerwone i Czarne (Red and Black). 1963. Giersz. 7 min.; Materia (Matter). 1963. Kazimierz Urbański. 9 min.; Aqua Pura. 1970. Jan Janczak. 8 min.; Klatki (Cages). 1966. Mirosław Kijowicz. 9 min.; Droga (Road). 1971. Kijowicz. 4 min.; Mlyn (Mill). 1971. Kijowicz. 11 min.; A–B. 1978. Kijowicz. 4 min.; Cinema verité. 1979. Andrzej Warchał. 2 min.
Program 77 min.
Friday, October 24, 6:45; Friday, October 31, 4:00

Program 4: Jerzy Kucia and Piotr Dumała
Dumała employs his trademark plaster-plate technique for interpretations
of Kafka and Dostoevsky. Kucia’s impressionistic portraits of town and country are masterpieces of interwoven sound and image.
Czarny Kapturek (Little Black Riding Hood). 1982. Piotr Dumała. 6 min.; Latające Włosy (Flying Hairs). 1984. Dumała. 8 min.; Wolność Nogi (Freedom of the Leg). 1988. Dumała. 10 min.; Powrót (The Return). 1972. Jerzy Kucia. 9 min.; Wiosna (The Spring). 1980. Kucia. 9 min.; Parada (The Parade). 1986. Kucia. 14 min.; Franz Kafka. 1991. Dumała. 16 min.
Program 72 min.
Saturday, October 25, 3:30; Thursday, October 30, 6:00

Program 5: Portraits in Black: Stefan Schabenbeck, Ryszard Czekała, and Others
Schabenbeck’s absurdist tales of Sisyphean men, Czekała’s nightmarish scenes of a Nazi concentration camp, and Kalina’s and Antonisz’s visions of madness all confirm Polish animation’s dark cast.
Wszystko Jest Liczbą (Everything Is a Number). 1966. Stefan Schabenbeck. 8 min.; Schody (Stairs). 1968. Schabenbeck. 7 min.; Susza (Drought). 1969. Schabenbeck, Henryk Ryszka. 5 min.; Syn (The Son). 1970. Ryszard Czekała. 10 min.; Apel (The Roll-Call). 1970. Czekała. 7 min.; Jesień (The Fall). 1976. Zbigniew Szymański. 7 min.; Martwy Cień (Dead Shadow). 1980. Andrzej Klimowski. 10 min.; Portret Niewierny (Unfaithful Portrait). 1981. Ewa Bibapska. 8 min.; Esperalia. 1983. Jerzy Kalina. 9 min.; Mój Dom (My Apartment House). 1983. Jacek Kasprzcki. 10 min.; Światło w Tunelu (Light at the End of the Tunnel). 1985. Julian Antonisz. 9 min.
Program 90 min.
Sunday, October 26, 4:00; Saturday, November 1, 5:30

Program 6: Daniel Szczechura, Piotr Kamler, and the New Guard
Recent Polish animation combines cutting-edge technologies with traditional practices. This program features Sczcechura’s melancholic renderings of domestic life; Brillowska’s sado-erotic Grabowski, House of Life; and Bagiński’s Oscar-nominated Art Nouveau fantasy Cathedral.
Le Pas. 1974. Piotr Kamler. 6 min.; Hobby. 1968. Daniel Szczechura. 8 min.; Podróż (A Trip). 1970. Szczechura. 7 min.; Skok (Jump). 1978. Szczechura. 5 min.; Fatamorgana 2 (Mirage 2). 1983. Szczechura. 10 min.; Wyścig (Race). 1989. Marek Serafiński. 7 min.; Widok z Góry (A View from Above). 1978. Marek Komza. 5 min.; Garb (A Hunchback). 1982. Andrzej Czeczot. 4 min.; Grabowski, House of Life. 1990. Germany. Mariola Brillowska. 20 min.; Za Grosz (For a Penny). 1998. Agnieszka Woźnicka. 7 min.; Fryzjer (The Barber). 1996. Robert Sowa. 5 min.; Katedra (Cathedral). 2002. Tomek Bagiński. 7 min.
Program 91 min.
Sunday, October 26, 6:00; Saturday, November 1, 3:00


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