Film Exhibitions2003
 
Home Page
Calendar/Today at MoMA
Current Exhibitions
Upcoming Exhibitions
Past Exhibitions
Touring Exhibitions
Online Projects
The Collection
Visiting the Museum
About MoMA
Education
International Program
Research Resources
Publications
Support MoMA
Online Store
blank
E-News | E-Cards
   

Gus Van Sant, the Early Films: Style and Substance
February 6–9, 2003

On the occasion of the New York opening of Gus Van Sant’s latest film, Gerry, the Department of Film and Media is delighted to revive its favorite films from this innovative filmmaker’s early repertoire. Van Sant’s antiestablishment career has mostly existed outside of Hollywood, his smaller-budgeted movies eschewing formalistic labeling and bearing his unmistakable personal signature. As a young filmmaker in Portland, he challenged audiences and critics from the outset of his cinematic endeavors, producing several semiautobiographical shorts—mostly on Super 8mm, now transferred to 35mm; quirky, dreamlike, and odd, they are precursors to his feature films.

Organized by Jytte Jensen, Associate Curator, Department of Film and Media. The Department thanks ThinkFilm, New York.

Junior the Cat. 1988. USA. 3 min. My Friend. 1988. USA. 2 min. Ballad of Skeletons. 1996. USA. 5 min. Written and directed by Gus Van Sant. Mala Noche. 1985. USA. Written and directed by Gus Van Sant. With Tim Streeter, Doug Cooeyate, Ray Monge. Sexually explicit for its time, this expressionistic black-and-white movie about a liquor store clerk’s infatuation with a Mexican boy on the run from immigration manages to deeply involve the audience in the clerk’s libidinal desires. Set on the fringes of society, Van Sant’s debut feature won him critical acclaim but wasn’t released theatrically until
after the success of Drugstore Cowboy. 78 min.
Total running time 88 min.
Thursday, February 6, 6:15 (introduced by the filmmaker); Saturday, February 8, 4:00

Four Boys in a Volvo. 1996. USA. 5 min.; Discipline of De. 1982. USA. 9 min.; DeWitt Clinton Choir. 2000. USA. 5 min. Written and directed by Gus Van Sant.
Drugstore Cowboy. 1989. USA. Written and directed by Gus Van Sant. With Matt Dillon, Kelly Lynch, William Burroughs. A deadpan black comedy about a band of petty crooks constantly on the run, robbing pharmacies and hospitals and shooting up for celebration. The film paints a realistic, multifaceted picture of itinerant junkies in their milieu, a powerful and disturbing portrayal that lends the characters real shading and compassion. 100 min.
Total running time 119 min.
Thursday, February 6, 8:00; Sunday, February 9, 2:00

Thanksgiving Prayer. 1996. USA. Written and directed by Gus Van Sant. An amusing and acerbic look at the procession of American history. With William Burroughs. 2 min.
To Die For. 1995. USA. Directed by Gus Van Sant. Screenplay by Buck Henry. With Nicole Kidman, Matt Dillon, Joaquin Phoenix. A smart, cunning, and narcissistic weather-girl on a small-time television news program, Suzanne Stone will do anything to become famous—or, in light of the film’s narrative twist, infamous. 106 min.
Friday, February 7, 8:30 (introduced by Anne Morra, Assistant Curator, Department of Film and Media); Sunday, February 9, 5:00

Flea Sings. 1991. USA. 2 min. Junior. 1988. USA. 3 min. Written and directed by Gus Van Sant.
My Own Private Idaho. 1991. USA. Written and directed by Gus Van Sant. With River Phoenix, Keanu Reeves. The unlikely narrative basis for this evocative film about two male prostitute drifters is Shakespeare’s Henry IV, from which the characters quote in makeshift iambic pentameter. The film’s main thematic thrust deals with sexual taboos; the open roads of the Pacific Northwest, however, are the film’s key feature. 102 min. Total running time 107 min.
Saturday, February 8, 6:00; Sunday, February 9, 7:30


top


 

  Copyright The Museum of Modern Art