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Evenings with French Filmmakers: Claude Miller and Patrice Chéreau
October 24 and 31, 2003

This fall, Unifrance and the French Ministry of Foreign Affairs are inaugurating a series of master classes with French filmmakers at eight American universities, and MoMA’s Department of Film and Media is hosting special public screenings. On October 24, MoMA presents the New York premiere of Claude Miller’s La Petite Lili (2003), followed by an onstage conversation between the director and Siri Hustvedt, author of the recent novel What I Loved (2003). On October 31, we honor the actor-writer-director Patrice Chéreau, Chair of this year’s Cannes Film Festival jury, who will present his acclaimed 1998 film Those Who Love Me Can Take the Train, followed by an onstage conversation with the novelist and filmmaker Paul Auster.

Organized by Joshua Siegel and Florence Charmasson, Unifrance, Paris. Special thanks to Catherine Verret-Vimont, Unifrance/French Film Office, New York; Marie Bonnel, Cultural Services of the French Embassy, New York; Antoine Khalife, Unifrance, Paris; and Jay Anania.

La Petite Lili. 2003. France. Directed by Claude Miller. Screenplay by Miller and Julien Boivent. With Ludivine Sagnier, Nicole Garcia, Robinson Stevenin. Miller renders the whole of human emotion—familial love and bitterness, fragility, hope, regret—in this astute interpretation of Chekhov’s The Seagull. In French, English subtitles. 104 min.
Friday, October 24, 8:30 (followed by conversation between Miller and the novelist Siri Hustvedt)

Ceux que m’aiment prendront le train (Those Who Love Me Can Take the Train). 1998. France. Directed by Patrice Chéreau. Screenplay by Chéreau, Danièle Thompson, Pierre Trividic. With Pascal Greggory, Valeria Bruni Tedeschi, Jean-Louis Trintignant. The friends and lovers of a bisexual painter are thrown together on a train bound for his funeral. Chéreau’s most personal, elegiac, and mischievous film to date. Courtesy Kino International, New York. 120 min.
Friday, October 31, 8:30 (followed by conversation between Chereau and the novelist/filmmaker Paul Auster)


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