Film Exhibitions2003
 
Home Page
Calendar/Today at MoMA
Current Exhibitions
Upcoming Exhibitions
Past Exhibitions
Touring Exhibitions
Online Projects
The Collection
Visiting the Museum
About MoMA
Education
International Program
Research Resources
Publications
Support MoMA
Online Store
blank
E-News | E-Cards
   

Witnessing the World: The Robert Flaherty Film Seminar at MoMA
June 21–22, 2003

Each year the renowned Robert Flaherty Film Seminar holds a weeklong symposium at Vassar College on the art and craft of the moving image, and MoMA then presents a selection of the films that were discussed. This forty-ninth seminar focuses on how contemporary filmmakers grapple with the idea of cinema as a tool for social responsibility and political struggle. Directors Tran Van Thuy (Vietnam), Tsuchimoto Noriaki (Japan), and Avi Mograbi (Israel) compassionately reveal harsh truths about their countries. Franny Armstrong (Great Britain) takes a broader journalistic look at the impact of global corporate power on everyday people. This year’s programmer, John Gianvito, observes, “This is cinema in search of new forms to better address and humanize the problems of the world.” Directors Tran, Mograbi, and Tsuchimoto will present their work.

Organized by Sally Berger, Assistant Curator, Department of Film and Media.

Baked Alaska. 2002. USA/Great Britain. Directed by Franny Armstrong. With temperatures in Alaska rising much faster than in the rest of the world, the delicate balance of Arctic life is at stake, yet President Bush wants to open up a wildlife refuge for oil drilling. 26 min.
McLibel: Two Worlds Collide. 1997. Great Britain. Directed by Franny Armstrong. In Great Britain, two unlikely defendants—a single father and a part-time bartender—are thrust into a lengthy and costly suit defending the rights of free speech over the silencing demands of the multinational corporation, McDonald’s. 53 min.
Saturday June 21, 3:30

Chuyen Tu Te (The Story of Kindness or How to Behave). 1987. Vietnam. Directed by Tran Van Thuy. A dying filmmaker left his friends with these words: “You should do something together that is inspired by human love or something about human suffering.” This resulting film was initially banned in Vietnam and became a cornerstone of the country’s glasnost after its release. In Vietnamese with English subtitles. 43 min.
The Sound of the Violin in My Lai. 1998. Vietnam. Directed by Tran Van Thuy. Tran returns to the site of the My Lai massacre and documents the return of two courageous U.S. pilots who resisted the slaughter and saved lives, and an American civilian who commemorated a peace park in the area. 32 min. Director present.
Program approx. 105 min.
Saturday, June 21, 5:30

Story from the Corner of a Park. 1996. Vietnam. Directed by Tran Van Thuy. A Vietnamese photographer and his wife raise their two children, who were born with deformities resulting from the toxic chemicals used on Vietnamese soldiers during the Vietnam War. In Vietnamese with English subtitles. Director present. 45 min.
Program approx. 75 min.
Saturday June 21, 8:00

Minamata: The Victims and Their World. 1971. Japan. Directed by Tsuchimoto Noriaki. A remarkable look at the long-term effects on fishermen and their families of mercury poisoning through industrial waste. In Japanese with English subtitles. 120 min.
Sunday, June 22, 3:00 (director will be present)

Relief. 1999. Israel. Directed by Avi Mograbi. A highly charged conflict between Israeli soldiers and Palestinian demonstrators reflects the larger tensions between the nations. Installation loop, 5 min.
August. 2002. Israel. Directed by Avi Mograbi. The director, his wife, and a colleague all have discordant views of what the month of August represents. Together, the three characters, all played by Mograbi, expose the violence and emotional upheaval found in the daily life of Israelis. Director present. 72 min.
Program approx. 105 min.
Sunday, June 22, 6:00


top


 

 

  Copyright The Museum of Modern Art