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Happy Birthday, Joseph Cornell!
December 22 and 26, 2003

Best known for his evocative box-constructions, in which he assembled small objects and ephemera, the American Surrealist Joseph Cornell (1903–1972) was also a devoted fan of the cinema. He thrived on almost daily visits to movie theaters, amassed archives of films and film stills, created an influential body of experimental films, and produced works of art honoring his favorite female stars. Organized to commemorate the one-hundredth anniversary of his birth, this program reflects Cornell’s interest in cinema and is organized in three parts: the recent discovery of a film made by the artist; the recreation of a 1949 film program organized by the artist; and a tribute to his own love of motion pictures. In movies adored by Cornell and made by him, we see dreamscapes, lyrical views of New York, and longings for unattainable women.

Organized by Jodi Hauptman, Associate Curator, Department of Drawings, and Anne Morra, Assistant Curator, Department of Film and Media.

Flushing Meadows. 1965. USA. Directed by Joseph Cornell. Made in memory of the death of Joyce Hunter, a teenage runaway Cornell encountered during his trips to a Manhattan coffee shop. Believed lost, this film was recently found in a collection donated to MoMA in 1995 by the Joseph and Robert Cornell Memorial Foundation. Newly preserved, Flushing Meadows constitutes the discovery portion of this program. 8 min.
Early Fantasy Films: Metamorphosis; A Cabman’s Delusion; Le Gardemeuble automatique. An avid collector of movies, Cornell organized “film soirées” at Manhattan galleries. This silent program is full of visual tricks, transformations, and shifts of scale—amazing effects that also manifested themselves sculpturally in Cornell’s box-constructions. Featuring what Cornell called “early fantasy” films, this program is a partial recreation of a 1949 evening organized by the artist.
Metamorphosis. c.1905. France. Produced by Pathé Frères. Directed by Ferdinand Zecca. Approx. 2 min.
A Cabman’s Delusion. c.1908. France. Produced by Pathé Frères. Approx. 3 min.
Le Garde-meuble automatique (Automatic Moving Company). 1912. France. Produced by Pathé Frères. Directed by Roméo Bosetti. Approx. 6 min.
Portrait of Jennie. 1949. USA. Directed by William Dieterle. With Jennifer Jones, Joseph Cotten, Lillian Gish. Jennie, an enigmatic young woman from another era, and Eben Adams, a painter, meet and fall in love. Their mysterious relationship flourishes against the backdrop of New York City—there is a scene at the Central Park Dairy where Cornell went to see Dieterle at work. A tribute to Cornell’s adoration of the actress Jennifer Jones and this film. 86 min.
Program approx. 105 min.
Monday, December 22, 8:00; Friday, December 26, 2:00


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