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Image Overview > 15 of 20

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Claes
Oldenburg. Floor
Cone (Giant Ice-Cream Cone). 1962. Synthetic polymer
paint on canvas filled with foam rubber and cardboard
boxes, 53 3/4" x 11'4" x 56" (136.5
x 345.4 x 142 cm). Gift of Philip Johnson. Courtesythe
Oldenburg von Bruggen Foundation
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Born
in Stockholm, Sweden, in 1929, Claes Oldenburg came to New
York in 1936. Oldenburg’s work, whether it’s small or large,
includes a wide range of sculpture, prints, and drawings.
Originally
interested in the human figure, Oldenburg shifted his focus
to objects in the late 1950s and the early 1960s. Floor
Cone is an example of his choice to use common objects
familiar to many people. Some other works of his include ceramic
food sculptures (including bread and hamburgers) and oversized,
soft plastic fan and toilet sculptures.
Like Oldenburg’s
other soft sculptures, Floor Cone was carefully planned
out before it was sewn. The sculpture is made out of painted
canvas filled with cardboard boxes and foam rubber, and it
can be positioned in a number of different ways. Describing
Floor Cone and his other soft sculptures, Oldenburg
said they speak of "the large formal realm of softness, which
one’s own body suggests."
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What
do you think about Oldenburg’s comparison between his
work and the human body?
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What
might this sculpture feel like?
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Do
you think Oldenburg’s decision to make this cone soft
is important? Why or why not?
Oldenburg
has been interested in making oversized objects since he
was first confronted with creating works for large exhibition
spaces in 1962. Filled with foam rubber and cardboard boxes,
Floor Cone is a soft sculpture that can be placed
on the floor, propped against a wall, or arranged in a number
of different ways. The only constant rule Floor Cone
must obey is gravity, which Oldenburg called his "favorite
form creator."
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Think
about the dimensions (given in the caption) for this
work, do you think its size matters?
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What
might Oldenburg mean by saying gravity creates form?
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Do
you think the filling of his sculptures matters? How
might his work look and act if it were filled with helium
or sand, or concrete?
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