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Leon Golub. White Squad. 1987. Lithograph, sheet: 29 1/4 x 41 1/4" (74.3 x 104.78 cm). Publisher: Mason Gross School of the Arts, Rutgers University. Printer: unknown.  Edition: 60. Gift of Arnold Smoller

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Leon Golub was born in 1922 in Chicago, Illinois, where he grew up. He received a bachelor of art degree from the University of Chicago and both a bachelors of fine arts and a master of fine arts degree from the School of the Art Institute of Chicago. In the 1960s and 1970s he was an active member of Artists and Writers Protest against the Vietnam War and the Art Workers Coalition.

In the Making
The lithograph White Squad II is part of a series of drawings, paintings, and prints called White Squad. Learn how a lithograph is made.

Golub's figures are often based on images that he sees in books, magazines, and newspapers. He keeps an extensive collection of these images to use as models for his work. If he finds a book that he feels is particularly powerful, he will buy two copies—one to keep and one to cut the pictures out of for his files.

  • Have you ever come across an image in a book, a magazine, on television, or in a movie that inspired your own artwork? Why did it inspire you?
Sending a Message
  • What do you think might be going on here?

  • How would you describe the people you see here?

  • Have you seen similar images to White Squad II?  If so, where?

Much of Golub's work includes imagery that raises questions about authority and people in power— why they have power, and what they do with that power. He sees authority and power as something that is too often and too easily abused. Many of the figures he portrays are anonymous attackers and anonymous victims, which allows for a variety of interpretations of the scene depicted. It could refer to a specific event or a general scene of terror and war.

"I have pictured some of the events and some of the kinds of experiences that undercut our current world pictures, that is to say the effects of power and domination, the uses of interrogation to control dissidence or opposition, how such behaviors effect the consciousness and psychic responses of victimizers and victims." 1

  1. Hans-Urlich Obrist, ed., Leon Golub: Do Paintings Bite? Selected Texts 1948-1996 (Ostfildern, Germany: Cantz Verlag, 1997), p. 31.


 

 

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