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When Piet Mondrian, a Dutch
artist, came to New York City for the first time in 1940, he fell
in love with the dynamic rhythms and repetition he found in both
boogie-woogie, a lively form of American jazz music, and the city
itself.
- Does this information
change your understanding of this painting? Why or why not?
- Does this painting
says something about music and city life to you?
Mondrian deliberately
limited his choices to primary colors (red, yellow, and blue) and
only used white, black, and gray horizontal and vertical lines.
- What do you think
about Mondrian's decision to create limits for himself?
- What do you think
about his color choices?

Listen to a piece of
music you like and write down some words or ideas that describe
what you hear. Looking at these words, how might you organize them
into a poem, a paragraph, a dance, or something visual (two- or
three-dimensional)?

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Marcel
Breuer (American, born Hungary, 1902-1981). Wassily Chair.
1927-28. Chrome-plated tubular steel and canvas, 28 1/8x 30
1/4 x 27 3/4" (71.4 x 76.8 x 70.5 cm). Manufacturer: attributed
to Standard Möbel, Germany. Gift of Herbert Bayer |
- Do you think paintings
and chairs can share similarities? Why or why not?
- Can you make any
connections between these two works? Explain.
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