This work is included in the Provenance Research Project
, which investigates the ownership history of works in MoMA's collection.
On consignment from the artist to Rudolf Probst, Galerie Neue Kunst Fides, Dresden, 1928 ; on consignment from the artist to Galerie Alfred Flechtheim, Berlin, February 1928 ; on loan to The Museum of Modern Art, New York, 1930 ; sold through J. B. Neumann, New York to Sidney Janis (1896-1989), New York, 1931 ; given to The Museum of Modern Art, New York, 1967.
 Paul-Klee-Stiftung, Kunstmuseum Bern, eds. Paul Klee: catalogue raisonné. Bern: Benteli and New York: Thames and Hudson, vol. 4 (2000), no. 3624.
 Ibid. See Stefan Frey and Wolfgang Kersten, "Paul Klees geschäftliche Verbindung zur Galerie Alfred Flechtheim," Alfred Flechtheim: Sammler. Kunsthändler. Verleger, ed. by Hans Albert Peters, exh. cat. Kunstmuseum Düsseldorf, 1987, p. 79. Included in the exhibition Paul Klee, Galerie Alfred Flechtheim, Berlin, October 20-November 15, 1929 (no. 54: Schauspielermaske).
 ] Included in the exhibition Paul Klee, The Museum of Modern Art, New York, March 13-April 2, 1930 (no. 12). The catalogue notes on p. 13: "Unless otherwise indicated the paintings belong to the artist and are exhibited by arrangement with his representatives [Galerie Alfred Flechtheim, Berlin and J.B. Neumann, New York]."
 The Sidney and Harriet Janis Collection, The Museum of Modern Art, New York, January 17-March 4, 1968, p. 17.
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Pictured above: Vasily Kandinsky. Panel for Edwin R. Campbell No. 2 (detail). 1914. Oil on canvas, 64 1/8 x 48 3/8" (162.6 x 122.7 cm). Nelson A. Rockefeller Fund (by exchange). © 2009 Artists Rights Society (ARS), New York / ADAGP, Paris