Klee was one of the many modernist artists who wanted to practice what he called "the pure cultivation of the means" of painting—in other words, to use line, shape, and color for their own sake rather than to describe something visible. That priority freed him to create images dealing less with perception than with thought, so that the bird in this picture seems to fly not in front of the cat's forehead but inside it–the bird is literally on the cat's mind. Stressing this point by making the cat all head, Klee concentrates on thought, fantasy, appetite, the hungers of the brain. One of his aims as an artist, he said, was to "make secret visions visible."
The cat is watchful, frighteningly so, but it is also calm, and Klee's palette too is calm, in a narrow range from tawny to rose with zones of bluish green. This and the suggestion of a child's drawing lighten the air. Believing that children were close to the sources of creativity, Klee was fascinated by their art, and evokes it here through simple lines and shapes: ovals for the cat's eyes and pupils (and, more loosely, for the bird's body), triangles for its ears and nose. And the tip of that nose is a red heart, a sign of the cat's desire.
Publication excerpt from The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 116
Provenance Research Project
This work is included in the Provenance Research Project
, which investigates the ownership history of works in MoMA's collection.
On consignment from the artist to Galerie Alfred Flechtheim, Berlin, 1929 ; on loan to The Museum of Modern Art, New York, 1930 ; sold through J. B. Neumann, New York to Franz H. Hirschland (1880-1973), Harrison, NY, by 1934 ; by inheritance to Susan Ann Hirschland (Suzy Prudden) and Joan Ellen Hirschland Meijer, 1973; Gift to The Museum of Modern Art, New York, 1975 (Sidney and Harriet Janis Collection Fund and gift of Suzy Prudden and Joan H. Meijer in memory of F. H. Hirschland).
 Paul-Klee-Stiftung, Kunstmuseum Bern, eds. Paul Klee: catalogue raisonné. Bern: Benteli and New York: Thames and Hudson, vol. 5 (2001), no. 4614. Included in the exhibition Paul Klee, Galerie Flechtheim, Berlin, October 20-November 15, 1929 (no. 94).
 Included in the exhibition Paul Klee, The Museum of Modern Art, New York, March 13-April 2, 1930 (no. 39). The catalogue notes on p. 13: "Unless otherwise indicated the paintings belong to the artist and are exhibited by arrangement with his representatives [Galerie Alfred Flechtheim, Berlin and J.B. Neumann, New York]."
 Included in the exhibition Modern Works of Art: 5th Anniversary Exhibition, November 19, 1934-January 20, 1935 (no. 94). Lender: Franz H. Hirschland.
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Pictured above: Vasily Kandinsky. Panel for Edwin R. Campbell No. 2 (detail). 1914. Oil on canvas, 64 1/8 x 48 3/8" (162.6 x 122.7 cm). Nelson A. Rockefeller Fund (by exchange). © 2009 Artists Rights Society (ARS), New York / ADAGP, Paris