MoMA
Barnett Newman. Vir Heroicus Sublimis. 1950-51
Barnett Newman

Vir Heroicus Sublimis

1950-51
On view
Medium
Oil on canvas
Dimensions
7' 11 3/8" x 17' 9 1/4" (242.2 x 541.7 cm)
Credit
Gift of Mr. and Mrs. Ben Heller
Object number
240.1969
Copyright
© 2015 Barnett Newman Foundation / Artists Rights Society (ARS), New York

The Latin title of this painting can be translated as "Man, heroic and sublime." It refers to Newman’s essay "The Sublime is Now," in which he asks, "If we are living in a time without a legend that can be called sublime, how can we be creating sublime art?" His response is embodied in part by this painting—his largest ever at that time. Newman hoped that the viewer would stand close to this expansive work, and he likened the experience to a human encounter: "It's no different, really, from meeting another person. One has a reaction to the person physically. Also, there’s a metaphysical thing, and if a meeting of people is meaningful, it affects both their lives."

Gallery label from 2006
Additional text

Vir Heroicus Sublimis, Newman’s largest painting at the time of its completion, is meant to overwhelm the senses. Viewers may be inclined to step back from it to see it all at once, but Newman instructed precisely the opposite. When the painting was first exhibited, in 1951 at the Betty Parsons Gallery in New York, Newman tacked to the wall a notice that read, “There is a tendency to look at large pictures from a distance. The large pictures in this exhibition are intended to be seen from a short distance.” Newman believed deeply in the spiritual potential of abstract art. The Latin title of this painting means “Man, heroic and sublime.”

Gallery label from Abstract Expressionist New York, October 3, 2010-April 25, 2011

Newman may appear to concentrate on shape and color, but he insisted that his canvases were charged with symbolic meaning. Like Piet Mondrian and Kazimir Malevich before him, he believed in the spiritual content of abstract art. The very title of this painting—in English, "Man, heroic and sublime"—points to aspirations of transcendence.

Abstract Expressionism is often called "action painting," but Newman was one of the several Abstract Expressionists who eliminated signs of the action of the painter's hand, preferring to work with broad, even expanses of deep color. Vir Heroicus Sublimis is large enough so that when the viewer stands close to it, as Newman intended, it creates an engulfing environment—a vast red field, broken by five thin vertical stripes. Newman admired Alberto Giacometti's bone-thin sculptures of the human figure, and his stripes, or "zips," as he called them, may be seen as symbolizing figures against a void. Here they vary in width, color, and firmness of edge: the white zip at center left, for example, looks almost like the gap between separate planes, while the maroon zip to its right seems to recede slightly into the red. These subtly differentiated verticals create a division of the canvas that is surprisingly complex, and asymmetrical; right in the middle of the picture, however, they set off a perfect square.

Publication excerpt from The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 195
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Related links:
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Image permissions

In order to effectively service requests for images, The Museum of Modern Art entrusts the licensing of images of works of art in its collections to the agencies Scala Archives and Art Resource. As MoMA’s representatives, these agencies supply high-resolution digital image files provided to them directly by the Museum's imaging studios.

All requests to reproduce works of art from MoMA's collection within North America (Canada, U.S., Mexico) should be addressed directly to Art Resource at 536 Broadway, New York, New York 10012. Telephone (212) 505-8700; fax (212) 505-2053; requests@artres.com; artres.com. Requests from all other geographical locations should be addressed directly to Scala Group S.p.A., 62, via Chiantigiana, 50012 Bagno a Ripoli/Firenze, Italy. Telephone 39 055 6233 200; fax 39 055 641124; firenze@scalarchives.com; scalarchives.com.

Requests for permission to reprint text from MoMA publications should be addressed to text_permissions@moma.org.

Related links:
Outside North America: Scala Archives
North America: Art Resource