This work is included in the Provenance Research Project
, which investigates the ownership history of works in MoMA's collection.
Acquired from the artist by Daniel-Henry Kahnweiler (1884-1979), Galerie Kahnweiler, Paris, 1911 ; sold to Wilhelm Uhde (1874-1947), Paris, before 1914; seized during the war by the French government as enemy property and sold through Hôtel Drouot, Paris, May 30, 1921 . Marcel Fleischmann, Zurich, [c. 1924] ; sold through Paul Drey, New York to The Museum of Modern Art, New York, 1945 .
 Douglas Cooper and Gary Tinterow, The Essential Cubism: Braque, Picasso, and their Friends, 1907-1920, exh. cat. London: The Tate Gallery, 1983, no. 16: "The artist to Galerie Kahnweiler, Paris (photo no. 1019), 1911."
 Vente de biens allemands ayant fait l'objet d'une mesure de séquestre de guerre. Collection Uhde: Tableaux modernes, Hôtel Drouot, Paris, May 30, 1921, no. 4: Figure. Buyer not known.
 See Douglas Cooper and Gary Tinterow, The Essential Cubism: Braque, Picasso, and their Friends, 1907-1920, exh. cat. London: The Tate Gallery, 1983, no. 16. Included in the exhibitions Georges Braque, Kunsthalle Basel, April 9 - May 14, 1933, no. 49 (Mann mit Gitarre); and Georges Braque, Palais des Beaux-Arts, Brussels, November-December 1936, no. 9 (L'homme à la guitare).
 On extended loan to The Museum of Modern Art, New York from 1939 until sold in 1945. Included in the exhibition Modern Masters from European and American Collections, January 26-March 24, 1940, no. 19.
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Pictured above: Vasily Kandinsky. Panel for Edwin R. Campbell No. 2 (detail). 1914. Oil on canvas, 64 1/8 x 48 3/8" (162.6 x 122.7 cm). Nelson A. Rockefeller Fund (by exchange). © 2009 Artists Rights Society (ARS), New York / ADAGP, Paris