Georges Braque. Man with a Guitar. Céret, summer 1911-early 1912

Georges Braque

Man with a Guitar

Céret, summer 1911-early 1912

Oil on canvas
45 3/4 x 31 7/8" (116.2 x 80.9 cm)
Acquired through the Lillie P. Bliss Bequest
Object number
© 2016 Artists Rights Society (ARS), New York / ADAGP, Paris
Painting and Sculpture
This work is on view on Floor 5, in Painting and Sculpture I, Gallery 2, with 21 other works online.
Georges Braque has 44 works online.
There are 2,242 paintings online.

Braque painted Man with a Guitar in a mode that came to be called Analytic Cubism. In works created in this style, he and Pablo Picasso experimented with different types of representation to challenge the orthodoxy of illusionistic space in painting. Here Braque paired an accessible, lifelike rendering of a nail and rope, at left, with a nearly indecipherable rendering of a human figure playing a guitar. Braque and Picasso's collaboration was so close when they developed Analytic Cubism that Braque later compared them to two mountaineers, bound together. In order to remove the mystique of the maker from their paintings, they both habitually signed the back of their works instead of the front.

Gallery label from 2011

Provenance Research Project
This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Acquired from the artist by Daniel-Henry Kahnweiler (1884-1979), Galerie Kahnweiler, Paris, 1911 [1]; sold to Wilhelm Uhde (1874-1947), Paris, before 1914; seized during the war by the French government as enemy property and sold through Hôtel Drouot, Paris, May 30, 1921 [2]. Marcel Fleischmann, Zurich, [c. 1924] [3]; sold through Paul Drey, New York to The Museum of Modern Art, New York, 1945 [4].
[1] Douglas Cooper and Gary Tinterow, The Essential Cubism: Braque, Picasso, and their Friends, 1907-1920, exh. cat. London: The Tate Gallery, 1983, no. 16: "The artist to Galerie Kahnweiler, Paris (photo no. 1019), 1911."
[2] Vente de biens allemands ayant fait l'objet d'une mesure de séquestre de guerre. Collection Uhde: Tableaux modernes, Hôtel Drouot, Paris, May 30, 1921, no. 4: Figure. Buyer not known.
[3] See Douglas Cooper and Gary Tinterow, The Essential Cubism: Braque, Picasso, and their Friends, 1907-1920, exh. cat. London: The Tate Gallery, 1983, no. 16. Included in the exhibitions Georges Braque, Kunsthalle Basel, April 9 - May 14, 1933, no. 49 (Mann mit Gitarre); and Georges Braque, Palais des Beaux-Arts, Brussels, November-December 1936, no. 9 (L'homme à la guitare).
[4] On extended loan to The Museum of Modern Art, New York from 1939 until sold in 1945. Included in the exhibition Modern Masters from European and American Collections, January 26-March 24, 1940, no. 19.

If you have any questions or information to provide about the listed works, please e-mail or write to:

Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019

Image permissions

In order to effectively service requests for images, The Museum of Modern Art entrusts the licensing of images of works of art in its collections to the agencies Scala Archives and Art Resource. As MoMA’s representatives, these agencies supply high-resolution digital image files provided to them directly by the Museum's imaging studios.

All requests to reproduce works of art from MoMA's collection within North America (Canada, U.S., Mexico) should be addressed directly to Art Resource at 536 Broadway, New York, New York 10012. Telephone (212) 505-8700; fax (212) 505-2053;; Requests from all other geographical locations should be addressed directly to Scala Group S.p.A., 62, via Chiantigiana, 50012 Bagno a Ripoli/Firenze, Italy. Telephone 39 055 6233 200; fax 39 055 641124;;

Requests for permission to reprint text from MoMA publications should be addressed to

Related links:
Outside North America: Scala Archives
North America: Art Resource

This record is a work in progress. If you have additional information, or have spotted an error, please send feedback to