This work is included in the Provenance Research Project
, which investigates the ownership history of works in MoMA's collection.
The artist, Paris; to Ambroise Vollard (1866-1939), Paris . Acquired by Maurice Sauvant, Paris, by 1949 ; acquired by The Museum of Modern Art, New York, through Michel-Ange Bernard Fort (Emile Bernard's son), 1962 (Grace Rainey Rogers Fund) .
 Jean-Jacques Luthi, Emile Bernard: Catalogue raisonné de l'oeuvre peint, Paris: Editions Side, 1982, no. 43: Le pont d'Asnières (Le pont de fer à Asnières), 1887.
 Ibid. Handwritten label by Michel-Ange Bernard Fort on verso dated February 25, 1949 identifying owner as Maurice Sauvant. Included in the exhibition Emile Bernard, Galerie Durand-Ruel, Paris, April 24-May 15, 1959 (no. 5: Le pont d'Asnières [Collection Maurice Sauvant]).
 Collection files, Department of Painting and Sculpture, The Museum of Modern Art, New York.
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Pictured above: Vasily Kandinsky. Panel for Edwin R. Campbell No. 2 (detail). 1914. Oil on canvas, 64 1/8 x 48 3/8" (162.6 x 122.7 cm). Nelson A. Rockefeller Fund (by exchange). © 2009 Artists Rights Society (ARS), New York / ADAGP, Paris