This work is included in the Provenance Research Project
, which investigates the ownership history of works in MoMA's collection.
Rosy (1892-1926) and Ludwig (1860-1922) Fischer, Frankfurt am Main; sold by Rosy Fischer to the Städtisches Museum für Kunst und Gewerbe, Halle, December 1924 ; removed as "degenerate art" by the Reich Ministry for Public Enlightenment and Propaganda, 1937 ; on consignment to Karl Buchholz (1901-1992), Berlin, 1939; to Curt Valentin (1902-1954), New York, 1939; purchased by The Museum of Modern Art, New York, April 5, 1940.
 One of twenty-four paintings Rosy Fischer sold to the Museum für Kunst und Kunstgewerbe in Halle (contract between Rosy Fischer and the "Stadtgemeinde Halle," December 15, 1924, Archives of the City of Halle). See Andreas Hüneke, “Die lange Geschichte der Hallenser Fischer Bilder,” Expressionismus und Exil: Die Sammlung Ludwig und Rosy Fischer, Frankfurt Am Main, ed. by Georg Heuberger et al., exh. cat. Frankfurt: Jüdisches Museum, 1990, pp. 81-94. Before the painting was removed from the collection in 1937, it was included as "degenerate art" in the exhibition "Entartete Kunst" at the Städtische Galerie Nuremberg, September 7-September 21, 1935; and on display in the "Schreckenskammer / "Degenerate Art" galleries of the Städtisches Museum für Kunst und Kunstgewerbe, Halle, November 27, 1935-July 25, 1937 (see Beschlagnahmeinventar "Entartete Kunst", "Degenerate Art" Research Center, FU Berlin).
 EK no. 14199: Selbstbildnis.
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Pictured above: Vasily Kandinsky. Panel for Edwin R. Campbell No. 2 (detail). 1914. Oil on canvas, 64 1/8 x 48 3/8" (162.6 x 122.7 cm). Nelson A. Rockefeller Fund (by exchange). © 2009 Artists Rights Society (ARS), New York / ADAGP, Paris