This work is included in the Provenance Research Project
, which investigates the ownership history of works in MoMA's collection.
Bourgeois Gallery (Stephan Bourgeois), New York; sold to Sam A. Lewisohn (1884-1951), New York, May 1923 ; Estate of Sam A. Lewisohn, 1951; acquired by The Museum of Modern Art, New York, 1952 (Sam A. Lewisohn Bequest).
 Collection files, Department of Painting and Sculpture, The Museum of Modern Art, New York.
 Collection files, Department of Painting and Sculpture, The Museum of Modern Art, New York. See also Stephan Bourgeois, The Adolph Lewisohn Collection of Modern French Paintings and Sculptures, New York: E. Weyhe, 1928, pp. 216-217. Lender to the exhibitions "Modern" Pictures Representing Impressionist, Post-Impressionist, Expressionist and Cubist Painters, Union League Club, New York, April 8-10,1924; Painting in Paris from American collections, The Museum of Modern Art, New York, January 19-February 16, 1930, no. 70 (Pierrot, 1918); Picasso, Galerie Georges Petit, Paris, June 16- July 30, 1932 (no. 108); The Stage: A Loan Exhibition for the Benefit of the Public Education Association, Jacques Seligmann & Co., Inc., New York, April 3-April 22, 1939; Picasso: Forty Years of his Art, The Museum of Modern Art, New York, November 15, 1939-January 7, 1940, and Art Institute of Chicago, February 1-March 3, 1940 (no. 139).
If you have any questions or information to provide about the listed works, please e-mail email@example.com or write to:
Provenance Research Project
The Museum of Modern Art
11 West 53 Street
New York, NY 10019
Pictured above: Vasily Kandinsky. Panel for Edwin R. Campbell No. 2 (detail). 1914. Oil on canvas, 64 1/8 x 48 3/8" (162.6 x 122.7 cm). Nelson A. Rockefeller Fund (by exchange). © 2009 Artists Rights Society (ARS), New York / ADAGP, Paris